Life Expectancy – Koontz, Dean

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Life Expectancy

 

By: Dean R. Koontz

 

“Koontz [is] working at his pinnacle, providing terrific entertainment

that deals seriously with some of the deepest themes of human

existence: the nature of evil, the grip of fate and the power of love.

“Publishers Weekly (starred review)

 

With his best selling blend of nail-biting intensity, daring artistry,

and storytelling magic, Dean Koontz returns with an emotional roller

coaster of a tale filled with enough twists, turns, shocks, and

surprises for ten ordinary novels.  Here is the story of five days in

the life of an ordinary man born to an extraordinary legacy-a story

that will challenge the way you look at good and evil, life and death,

and everything in between…. Life Expectancy

 

Jimmy Tock comes into the world on the very night his grandfather

leaves it.  As a violent storm rages outside the hospital, Rudy Tock

spends long hours walking the corridors between the expectant fathers’

waiting room and his dying father’s bedside.  It’s a strange vigil made

all the stranger when, at the very height of the storm’s fury, Josef

Tock suddenly sits up in bed and speaks coherently for the first and

last time since his stroke.

 

What he says before he dies is that there will be five dark days in the

life of his grandson- five dates whose terrible events Jimmy will have

to prepare himself to face.  The first is to occur in his twentieth

year; the second in his twenty-third year; the third in his

twenty-eighth; the fourth in his twenty-ninth; the fifth in his

thirtieth.

 

Rudy is all too ready to discount his father’s last words as a dying man’s

delusional rambling.

 

But then he discovers that Josef also predicted the time of his

grandson’s birth to the minute, as well as his exact height and weight,

and the fact that Jimmy would be born with syndactyly-the unexplained

anomaly of fused digits-on his left foot.  Suddenly the old man’s

predictions take on a chilling significance.

 

What terrifying events await Jimmy on these five dark days?  What

nightmares will he face?  What challenges must he survive?  As the

novel unfolds, picking up Jimmy’s story at each of these crisis points,

the path he must follow will defy every expectation.  And with each

crisis he faces, he will move closer to a fate he could never have

imagined.  For who Jimmy Tock is and what he must accomplish on the

five days when his world turns is a mystery as dangerous as it is

wondrous-a struggle against an evil so dark and pervasive, only the

most extraordinary of human spirits can shine through.

 

“Koontz is a superb plotter and wordsmith.  He chronicles the hopes and

fears of our time in broad strokes and fine detail, using popular

fiction to explore the human condition.  “USA Today

 

“The Dean of Suspense.  “People

 

DEAN KOONTZ is the author of many #1 New York Times bestsellers.  He

lives with his wife, Gerda, and their dog, Trixie, in southern

California.

 

A Main Selection of The Literary Guild, Mystery Guild, Doubleday Book

Club, and Doubleday Large Print Book Club

 

Cover art Tom Hallman

 

Visit Bantam’s website at www.bantamdell.com.

 

Visit Dean Koontz at www.deankoontz.com.

 

Bantam Books

 

LIFE EXPECTANCY.

 

ALSO BY DEAN KOONTZ

 

The Taking

 

Odd Thomas

 

The Face

 

By the Light of the Moon

 

One Door Away From Heaven

 

From the Corner of His Eye

 

False Memory

 

Seize the Night

 

Fear Nothing

 

Mr.  Murder

 

Dragon Tears

 

Hideaway

 

Cold Fire

 

The Bad Place

 

Midnight

 

Lightning

 

Watchers

 

Strangers

 

Twilight Eyes

 

Dark fall

 

Phantoms

 

Whispers

 

The Mask

 

The Vision

 

The Face of Fear

 

Night Chills

 

Shattered

 

The Voice of the Night

 

The Servants of Twilight

 

The House of Thunder

 

The Key to Midnight

 

The Eyes ofDarkhess

 

Shadowfires

 

Winter Moon

 

The Door to December

 

Dark Rivers of the Heart

 

Icebound

 

Strange Highways

 

Intensity

 

Sole Survivor

 

Ticktock

 

The Fun house

 

Demon Seed

 

LIFE EXPECTANCY

 

A Bantam Book / December 2004

 

Published by Bantam Dell

 

A Division of Random House, Inc.

 

New York, New York

 

This is a work of fiction.  Names, characters, places, and incidents

either are the product of the author’s imagination or are used

fictitiously.  Any resemblance to actual persons, living or dead,

events, or locales is entirely coincidental.

 

All rights reserved.

 

Copyright 2004 by Dean Koontz

 

Book design by Virginia Norey

 

A signed, limited edition has been privately published by Charnel

House.  Charnelhouse.com

 

Bantam Books is a registered trademark of Random House, Inc.”  and the

colophon is a trademark of Random House, Inc.

 

Library of Congress Cataloging-in-Publication Data Koontz, Dean R. Life

expectancy / Dean Koontz.

 

p. cm.  ISBN: 0-553-80414-6

 

1. Cerebrovascular disease-Patients-Fiction.  2. Fathers and

sons-Fiction.  3. Terminally ill-Fiction.  4. Grandfathers-Fiction.  5.

Forecasting-Fiction.

 

PS3561.O55L49 2004b 813′.54dc-22 2004059476

 

Printed in the United States of America Published simultaneously in

Canada www.bantamdell.com

 

BVG 10 987654321

 

To Laura Albano,

 

who has such a good heart.

 

Strange brain, but good heart.

 

But he that dares not grasp the thorn Should never crave the rose.

 

-Anne Bronte, “The Narrow Way”

 

Here’s a sigh to those who love me, And a smile to those who hate; And,

whatever sky’s above me, Here’s a heart for every fate.

 

-Lord Byron, “To Thomas Moore”

 

PART ONE

 

Welcome to the World,

 

Jimmy Tock

 

in the night that I was born, my paternal grandfather, Josef Tock, made

ten predictions that shaped my life.  Then he died in the very minute

that my mother gave birth to me.

 

Josef had never previously engaged in fortune-telling.  He was a pastry

chef.  He made eclairs and lemon tarts, not predictions.

 

Some lives, conducted with grace, are beautiful arcs bridging this

world to eternity.  I am thirty years old and can’t for certain see the

course of my life, but rather than a graceful arc, my passage seems to

be a herky-jerky line from one crisis to another.

 

I am a lummox, by which I do not mean stupid, only that I am biggish

for my size and not always aware of where my feet are going.

 

This truth is not offered in a spirit of self-deprecation or even

humility.  Apparently, being a lummox is part of my charm, an almost

winsome trait, as you will see.

 

No doubt I have now raised in your mind the question of what I in

 

tend to imply by “biggish for my size.”  Autobiography is proving to be

a trickier task than I first imagined.

 

I am not as tall as people seem to think I am, in fact not tall at all

by the standards of professional-or even of high school-basketball.  I

am neither plump nor as buff as an iron-pumping fitness fanatic.  At

most I am somewhat husky.

 

Yet men taller and heavier than I am often call me “big guy.”  My

nickname in school was Moose.  From childhood, I have heard people joke

about how astronomical our grocery bills must be.

 

The disconnect between my true size and many people’s perception of my

dimensions has always mystified me.

 

My wife, who is the linchpin of my life, claims that I have a presence

much bigger than my physique.  She says that people measure me by the

impression I make on them.

 

I find this notion ludicrous.  It is bullshit born of love.

 

If sometimes I make an outsized impression on people, it’s as likely as

not because I fell on them.  Or stepped on their feet.

 

In Arizona, there is a place where a dropped ball appears to roll

uphill in defiance of gravity.  In truth, this effect is a trick of

perspective in which elements of a highly unusual landscape conspire to

deceive the eye.

 

I suspect I am a similar freak of nature.  Perhaps light reflects oddly

from me or bends around me in a singular fashion, so I appear to be

more of a hulk than I am.

 

On the night I was born in Snow County Hospital, in the community of

Snow Village, Colorado, my grandfather told a nurse that I would be

twenty inches long and weigh eight pounds ten ounces.

 

The nurse was startled by this prediction not because eight pounds ten

is a huge newborn-many are larger-and not because my grandfather was a

pastry chef who suddenly began acting as though he were a crystal-ball

gazer.  Four days previously he had suffered a massive stroke that left

him paralyzed on his right side and unable to speak; yet

 

from his bed in the intensive care unit, he began making

prognostications in a clear voice, without slur or hesitation.

 

He also told her that I would be born at 10:46 p.m. and that I would

suffer from syndactyly.

 

That is a word difficult to pronounce before a stroke, let alone after

one.

 

Syndactyly-as the observing nurse explained to my father-is a

congenital defect in which two or more fingers or toes are joined.  In

serious cases, the bones of adjacent digits are fused to such an extent

that two fingers share a single nail.

 

Multiple surgeries are required to correct such a condition and to

ensure that the afflicted child will grow into an adult capable of

giving the F-you finger to anyone who sufficiently annoys him.

 

In my case, the trouble was toes.  Two were fused on the left foot,

three on the right.

 

My mother, Madelaine-whom my father affectionately calls Maddy or

sometimes the Mad One-insists that they considered forgoing the surgery

and, instead, christening me Flipper.

 

Flipper was the name of a dolphin that once starred in a hit TV

show-not surprisingly titled Flipper-in the late 1960s.  My mother

describes the program as “delightfully, wonderfully, hilariously

stupid.”  It went off the air a few years before I was born.

 

Flipper, a male, was played by a trained dolphin named Suzi.  This was

most likely the first instance of transvestism on television.

 

Actually, that’s not the right word because transvestism is a male

dressing as a female for sexual gratification.  Besides, Suzi-alias

Flipper-didn’t wear clothes.

 

So it was a program in which the female star always appeared nude and

was sufficiently butch to pass for a male.

 

Just two nights ago at dinner, over one of my mother’s infamous

cheese-and-broccoli pies, she asked rhetorically if it was any wonder

 

that such a dire collapse in broadcast standards, begun with Flipper,

should lead to the boring freak-show shock that is contemporary

television.

 

Playing her game, my father said, “It actually began with Lassie.  In

every show, she was nude, too.”

 

“Lassie was always played by male dogs,” my mother replied.

 

“There you go,” Dad said, his point made.

 

I escaped being named Flipper when successful surgeries restored my

toes to the normal condition.  In my case, the fusion involved only

skin, not bones.  The separation was a relatively simple procedure.

 

Nevertheless, on that uncommonly stormy night, my grandfather’s

prediction of syndactyly proved true.

 

If I had been born on a night of unremarkable weather, family legend

would have transformed it into an eerie calm, every leaf motionless in

breathless air, night birds silent with expectation.  The Tock family

has a proud history of self-dramatization.

 

Even allowing for exaggeration, the storm must have been violent enough

to shake the Colorado mountains to their rocky foundations.  The

heavens cracked and flashed as if celestial armies were at war.

 

Still in the womb, I remained unaware of all the thunderclaps.  And

once born, I was probably distracted by my strange feet.

 

This was August 9, 1974, the day Richard Nixon resigned as President of

the United States.

 

Nixon’s fall has no more to do with me than the fact that John Denver’s

“Annie’s Song” was the number-one record in the country at the time.  I

mention it only to provide historical perspective.

 

Nixon or no Nixon, what I find most important about August 9, 1974, is

my birth-and my grandfather’s predictions.  My sense of perspective has

an egocentric taint.

 

Perhaps more clearly than if I had been there, because of vivid

pictures painted by numerous family stories of that night, I can see my

father, Rudy Tock, walking back and forth from one end of County

 

Hospital to the other, between the maternity ward and the I.C.U,

between joy at the prospect of his son’s pending arrival and grief over

his beloved father’s quickening slide into death.

 

With blue vinyl-tile floor, pale-green wainscoting, pink walls, a

yellow ceiling, and orange-and-white stork-patterned drapes, the

expectant-fathers’ lounge churned with the negative energy of color

overload.  It would have served well as the nervous-making set for a

nightmare about a children’s-show host who led a secret life as an ax

murderer.

 

The chain-smoking clown didn’t improve the ambience.

 

Rudy stood birth watch with only one other man, not a local but a

performer with the circus that was playing a one-week engagement in a

meadow at the Halloway Farm.  He called himself Beezo.  Curiously, this

proved not to be his clown name but one that he’d been born with:

Kon-rad Beezo.

 

Some say there is no such thing as destiny, that what happens just

happens, without purpose or meaning.  Konrad’s surname would argue

otherwise.

 

Beezo was married to Natalie, a trapeze artist and a member of a

renowned aerialist family that qualified as circus royalty.

 

Neither of Natalie’s parents, none of her brothers and sisters, and

none of her high-flying cousins had accompanied Beezo to the hospital.

This was a performance night, and as always the show must go on.

 

Evidently the aerialists kept their distance also because they had not

approved of one of their kind taking a clown for a husband.  Every

subculture and ethnicity has its objects of bigotry.

 

As Beezo waited nervously for his wife to deliver, he muttered unkind

judgments of his in-laws.  “Self-satisfied,” he called them, and

“devious.”

 

The clown’s perpetual glower, rough voice, and bitterness made Rudy

uncomfortable.

 

Angry words plumed from him in exhalations of sour smoke: duplicitous”

and “scheming” and, poetically for a clown, “blithe spirits of the air,

but treacherous when the ground is under them.”

 

Beezo was not in full costume.  Furthermore, his stage clothes were in

the Emmett Kelly sad-faced tradition rather than the bright polka-dot

plumage of the average Ringling Brothers clown.  He cut a strange

figure nonetheless.

 

A bright plaid patch blazed across the seat of his baggy brown suit.

The sleeves of his jacket were comically short.  In one lapel bloomed a

fake flower the diameter of a bread plate.

 

Before racing to the hospital with his wife, he had traded clown shoes

for sneakers and had taken off his big round red rubber nose.  White

greasepaint still encircled his eyes, however, and his cheeks remained

heavily rouged, and he wore a rumpled porkpie hat.

 

Beezo’s bloodshot eyes shone as scarlet as his painted cheeks, perhaps

because of the acrid smoke wreathing his head, although Rudy suspected

that strong drink might be involved as well.

 

In those days, smoking was permitted everywhere, even in many hospital

waiting rooms.  Expectant fathers traditionally gave out cigars by way

of celebration.

 

When not at his dying father’s bedside, poor Rudy should have been able

to take refuge in that lounge.  His grief should have been mitigated by

the joy of his pending parenthood.

 

Instead, both Maddy and Natalie were long in labor.  Each time that

Rudy returned from the I.C.U, waiting for him was the glowering,

muttering, bloody-eyed clown, burning through pack after pack of

unfiltered Lucky Strikes.

 

As drum rolls of thunder shook the heavens, as reflections of lightning

shuddered through the windows, Beezo made a stage of the maternity ward

lounge.  Restlessly circling the blue vinyl floor, from pink wall to

pink wall, he smoked and fumed.

 

“Do you believe that snakes can fly, Rudy Tock?  Of course you don’t.

 

But snakes can fly.  I’ve seen them high above the center ring. They’re

well paid and applauded, these cobras, these diamondbacks, these

copperheads, these hateful vipers.”

 

Poor Rudy responded to this vituperative rant with murmured

consolation, clucks of the tongue, and sympathetic nods.  He didn’t

want to encourage Beezo, but he sensed that a failure to commiserate

would make him a target for the clown’s anger.

 

Pausing at a storm-washed window, his painted face further patina ted

by the lightning-cast patterns of the streaming raindrops on the glass,

Beezo said, “Which are you having, Rudy Tock-a son or daughter?”

 

Beezo consistently addressed Rudy by his first and last names, as if

the two were one: Rudytock.

 

“They have a new ultrasound scanner here,” Rudy replied, “so they could

tell us whether it’s a boy or girl, but we don’t want to know.  We just

care is the baby healthy, and it is.”

 

Beezo’s posture straightened, and he raised his head, thrusting his

face toward the window as if to bask in the pulsing storm light.  “I

don’t need ultrasound to tell me what I know.  Natalie is giving me a

son.  Now the Beezo name won’t die when I do.  I’ll call him

Punchinello, after one of the first and greatest of clowns.”

 

Punchinello Beezo, Rudy thought.  Oh, the poor child.

 

“He will be the very greatest of our kind,” said Beezo, “the ultimate

jester, harlequin, jack pudding  He will be acclaimed from coast to

coast, on every continent.”

 

Although Rudy had just returned to the maternity ward from the I.C.U,

he felt imprisoned by this clown whose dark energy seemed to swell each

time the storm flashed in his feverish eyes.

 

“He will be not merely acclaimed but immortal.”

 

Rudy was hungry for news of Maddy’s condition and the progress of her

labor.  In those days, fathers were seldom admitted to delivery rooms

to witness the birth of their children.

 

“He will be the circus star of his time, Rudy Tock, and everyone who

sees him perform will know Konrad Beezo is his father, patriarch of

clowns.”

 

The ward nurses who should have regularly visited the lounge to speak

with the waiting husbands were making themselves less visible than

usual.  No doubt they were uncomfortable in the presence of this angry

bozo.

 

“On my father’s grave, I swear my Punchinello will never be an

aerialist Beezo declared.

 

The blast of thunder punctuating his vow was the first of two so

powerful that the windowpanes vibrated like drum heads and the

lights-almost extinguished-throbbed dimly.

 

“What do acrobatics have to do with the truth of the human condition?”

Beezo demanded.

 

“Nothing,” Rudy said at once, for he was not an aggressive man. Indeed,

he was gentle and humble, not yet a pastry chef like his father, merely

a baker who, on the verge of fatherhood, wished to avoid being severely

beaten by a large clown.

 

“Comedy and tragedy, the very tools of the clown’s art-that is the

essence of life,” Beezo declared.

 

“Comedy, tragedy, and the need for good bread,” Rudy said, making a

little joke, including his own trade in the essence-of-life

professions.

 

This small frivolity earned him a fierce glare, a look that seemed

capable not merely of stopping clocks but of freezing time.

 

‘”Comedy, tragedy, and the need for good bread,”” Beezo repeated,

perhaps expecting Dad to admit his quip had been inane.

 

“Hey,” Dad said, “that sounds just like me,” for the clown had spoken

in a voice that might have passed for my father’s.

 

“”Hey, that sounds just like me,”” Beezo mocked in Dad’s voice.  Then

he continued in his own rough growl: “I told you I’m talented, Rudy

Tock.  In more ways than you can imagine.”

 

Rudy thought he could feel his chilled heart beating slower, winding

dlown under the influence of that wintry gaze.

 

“My boy will never be an aerialist.  The hateful snakes will hiss.  Oh,

how they’ll hiss and thrash, but Punchinello will never be an

aerialist!”

 

Another tsunami of thunder broke against the walls of the hospital, and

again the lights were more than half drowned.

 

In that gloom, Rudy swore that the tip of Beezo’s cigarette in his

right hand glowed brighter, brighter, although he held it at his side,

as if some phantom presence were drawing on it with eager lips.

 

Rudy thought, but could not swear, that Beezo’s eyes briefly glowed as

bright and red as the cigarette.  This could not have been an inner

light, of course, but a reflection of… something.

 

When the echoes of the thunder rolled away, the brownout passed.  As

the lights rose, so did Rudy rise from his chair.

 

He had only recently returned here, and although he had received no

news about his wife, he was ready to flee back to the grim scene in the

intensive care unit rather than experience a third doomsday peal and

another dimming of lights in the company of Konrad Beezo.

 

When he arrived at the I.C.U and found two nurses at his father’s

bedside, Rudy feared the worst.  He knew that Josef was dying, yet his

throat tightened and tears welled when he thought the end loomed.

 

To his surprise, he discovered Josef half sitting up in bed, hands

clutching the side rails, excitedly repeating the predictions that he

had already made to one of the nurses.  “Twenty inches … eight pounds

ten ounces … ten-forty-six tonight… syndactyly…”

 

When he saw his son, Josef pulled himself all the way into a sitting

position, and one of the nurses raised the upper half of the bed to

support him better.

 

He had not only regained his speech but also appeared to have overcome

the partial paralysis that had followed his stroke.  When he seized

Rudy’s right hand, his grip proved firm, even painful.

 

Astonished by this development, Rudy at first assumed that his father

had experienced a miraculous recovery.  Then, however, he recognized

the desperation of a dying man with an important message to impart.

 

Josef’s face was drawn, seemed almost shrunken, as if Death, in a

sneak-thief mood, had begun days ago to steal the substance of him,

ounce by ounce.  By contrast his eyes appeared to be enormous.  Fear

sharpened his gaze when his eyes fixed on his son.

 

“Five days,” said Josef, his hoarse voice raw with suffering, parched

because he had been taking fluids only intravenously.  “Five terrible

days.”

 

“Easy, Dad.  Don’t excite yourself,” Rudy cautioned, but he saw that on

the cardiac monitor, the illuminated graph of his father’s heart

activity revealed a fast yet regular pattern.

 

One of the nurses left to summon a doctor.  The other stepped back from

the bed, waiting to assist if the patient experienced a seizure.

 

First licking his cracked lips to wet the way for his whisper, he made

his fifth prediction: “James.  His name will be James, but no one will

call him James … or Jim.  Everyone will call him Jimmy.”

 

This startled Rudy.  He and Maddy had chosen James if the baby was a

boy, Jennifer if it was a girl, but they had not discussed their

choices with anyone.

 

Josef could not have known.  Yet he knew.

 

With increasing urgency, Josef declared, “Five days.  You’ve got to

warn him.  Five terrible days.”

 

“Easy, Dad,” Rudy repeated.  “You’ll be okay.”

 

His father, as pale as the cut face of a loaf of bread, grew paler,

whiter than flour in a measuring cup.  “Not okay.  I’m dying.”

 

“You aren’t dying.  Look at you.  You’re speaking.  There’s no

paralysis.  You’re-“

 

“Dying,” Josef insisted, his rough voice rising in volume.  His pulse

throbbed at his temples, and on the monitor it grew more rapid as he

strained to break through his son’s reassurances and to seize his

attention.  “Five dates.  Write them down.  Write them now.  NOW!”

 

Confused, afraid that Josef’s adamancy might trigger another stroke,

Rudy mollified his father.

 

He borrowed a pen from the nurse.  She didn’t have any paper, and she

wouldn’t let him use the patient’s chart that hung on the foot of the

bed.

 

From his wallet, Rudy withdrew the first thing he found that offered a

clean writing surface: a free pass to the very circus in which Beezo

performed.

 

Rudy had received the pass a week ago from Huey Foster, a Snow Village

police officer.  They had been friends since childhood.

 

Huey, like Rudy, had wanted to be a pastry chef.  He didn’t have the

talent for a career in baking.  His muffins broke teeth.  His lemon

tarts offended the tongue.

 

When, by virtue of his law-enforcement job, Huey received freebies-

passes to the circus, booklets of tickets for carnival rides at the

county fair, sample boxes of bullets from various ammo manufacturers-he

shared them with Rudy.  In return, Rudy gave Huey’cookies that didn’t

sour the appetite, cakes that didn’t displease the nose, pies and

strudels that didn’t induce regurgitation.

 

Red and black lettering, illustrated with elephants and lions, crowded

the face of the circus pass.  The reverse was blank.  Unfolded, it

measured three by five inches, the size of an index card.

 

As hard rain beat on a nearby window, drumming up a sound like many

running feet, Josef clutched again at the railings, anchoring himself,

as if he feared that he might float up and away.  “Nineteen

ninety-four.  September fifteenth.  A Thursday.  Write it down.”

 

Standing beside the bed, Rudy took dictation, using the precise

printing with which he composed recipe cards: sept 15,1994, thurs.

 

Eyes wide and wild, like those of a rabbit in the thrall of a stalking

coyote, Josef stared toward a point high on the wall opposite his bed.

He seemed to see more than the wall, something beyond it.  Perhaps the

future.

 

“Warn him,” the dying man said.  “For God’s sake, warn him.”

 

Bewildered, Rudy said, “Warn who?”

 

“Jimmy.  Your son, Jimmy, my grandson.”

 

“He’s not born yet.”

 

“Almost.  Two minutes.  Warn him.  Nineteen ninety-eight.  January

nineteenth.  A Monday.”

 

Transfixed by the ghastly expression on his father’s face, Rudy stood

with pen poised over paper.

 

“WRITE IT DOWN!”  Josef roared.  His mouth contorted so severely in the

shout that his dry and peeling lower lip split.  A crimson thread

slowly unraveled down his chin.

 

“Nineteen ninety-eight,” Rudy muttered as he wrote.

 

“January nineteenth,” Josef repeated in a croak, his parched throat

having been racked by the shout.  “A Monday.  Terrible day.”

 

“Why?”

 

“Terrible, terrible.”

 

“Why will it be terrible?”  Rudy persisted.

 

“Two thousand two.  December twenty-third.  Another Monday.”

 

Jotting down this third date, Rudy said, “Dad, this is weird.  I don’t

understand.”

 

Josef still held tight to both steel bedrails.  Suddenly he shook them

violently, with such uncanny strength that the railings seemed to be

coming apart at their joints, raising a clatter that would have been

loud in an ordinary hospital room but that was explosive in the usually

hushed intensive care unit.

 

At first the observing nurse rushed forward, perhaps intending to calm

the patient, but the electrifying combination of fury and terror that

wrenched his pallid face caused her to hesitate.  When waves of thunder

broke against the hospital hard enough to shake dust off the acoustic

ceiling tiles, the nurse retreated, almost as if she thought Josef

himself had summoned that detonation.

 

“WRITE IT DOWN!”  he demanded.

 

“I wrote, I wrote,” Rudy assured him.  “December 23, 2002, another

Monday.”

 

“Two thousand three,” Josef said urgently.  “The twenty-sixth of

November.  A Wednesday.  The day before Thanksgiving.”

 

After recording this fourth date on the back of the circus pass, just

as his father stopped shaking the bedrails, Rudy looked up and saw a

fresh emotion in Josef’s face, in his eyes.  The fury was gone, and the

terror.

 

As tears welled, Josef said, “Poor Jimmy, poor Rudy.”

 

“Dad?”

 

“Poor, poor Rudy.  Poor Jimmy.  Where is Rudy?”

 

“I’m Rudy, Dad.  I’m right here.”

 

Josef blinked, blinked, and flicked away the tears as yet another

emotion gripped him, this one not easy to define.  Some would have

called it astonishment.  Others would have said it was wonder of the

pure variety that a baby might express at the first sight of any bright

marvel.

 

After a moment, Rudy recognized it as a state rrtore profound than

wonder.  This was awe, the complete yielding of the mind to something

grand and formidable.

 

His father’s eyes shone with amazement.  Across his face, expressions

of delight and apprehension contested with each other.

 

Josef’s increasingly raspy voice fell to a whisper: “Two thousand

five.”

 

His gaze remained fixed on another reality that apparently he found

more convincing than he did this world in which he had lived for

fifty-seven years.

 

Hand trembling now, but still printing legibly, Rudy recorded this

fifth date-and waited.

 

“Ah,” said Joseph, as if a startling secret had been revealed.

 

“Dad?”

 

“Not this, not this,” Josef lamented.

 

“Dad, what’s wrong?”

 

As curiosity outweighed her anxiety, the rattled nurse ventured closer

to the bed.

 

A doctor entered the cubicle.  “What’s going on here?”

 

Josef said, “Don’t trust the clown.”

 

The physician looked mildly offended, assuming that the patient had

just questioned his medical credentials.

 

Leaning over the bed, trying to redirect his father’s attention from

his otherworldly vision, Rudy said, “Dad, how do you know about the

clown?”

 

“The sixteenth of April,” said Josef.

 

“How do you know about the clown?”

 

“WRITE IT DOWN,” Josef thundered even as the heavens crashed against

the earth once more.

 

As the doctor went around to the other side of the bed, Rudy added

april 16 after 2005 to the fifth line on the back of the circus pass.

He also printed Saturday when his father spoke it.

 

The doctor put a hand under Josef’s chin and turned his head to have a

better look at his eyes.

 

“He isn’t who you think he is,” said Josef, not to the doctor but to

his son.

 

“Who isn’t?”  Rudy asked.

 

“He isn’t.”

 

“Who’s he?”

 

“Now, Josef,” the physician chided, “you know me very well.  I’m Dr.

Pickett.”

 

“Oh, the tragedy,” Josef said, voice ripe with pity, as if he were not

a pastry chef but a thespian upon the Shakespearean stage.

 

“What tragedy?”  Rudy worried.

 

Producing an ophthalmoscope from a pocket of his white smock, Dr.

Pickett disagreed: “No tragedy here.  What I see is a remarkable

recovery.”

 

Breaking loose of the physician’s chin grip, increasingly agitated,

Josef said, “Kidneys!”

 

Bewildered, Rudy said, “Kidneys?”

 

“Why should kidneys be so damned important?”  Josef demanded.  “It’s

absurd, it’s all absurd!”

 

Rudy felt his heart sink at this, for it seemed that his dad’s brief

clarity of mind had begun to give way to babble.

 

Asserting control of his patient again by once more gripping his chin,

Dr.  Pickett switched on the ophthalmoscope and directed the light in

Josef’s right eye.

 

As though that narrow beam were a piercing needle and his life were a

balloon, Josef Tock let out an explosive breath and slumped back upon

his pillow, dead.

 

With all the techniques and instruments available to a well-equipped

hospital, attempts at resuscitation were made, but to no avail.  Josef

had moved on and wasn’t coming back.

 

And I, James Henry Tock, arrived.  The time on my grandfather’s death

certificate matches that on my birth certificate-10:46 p.m.

 

Bereaved, Rudy understandably lingered at Josef’s bedside.  He had not

forgotten his wife, but grief immobilized him.

 

Five minutes later, he received word from a nurse that Maddy had

experienced a crisis in her labor and that he must go at once to her

side.

 

Alarmed by the prospect of losing his father and his wife in the same

hour, Dad fled the intensive care unit.

 

As he tells it, the halls of our modest county hospital had become a

white labyrinth, and at least twice he made wrong turns.  Too impatient

to wait for the elevator, he raced down the stairs from the third floor

to the ground level before realizing that he’d passed the second floor,

on which the maternity ward was located.

 

Dad arrived in the expectant-fathers’ waiting lounge to the crack of a

pistol as Konrad Beezo shot his wife’s doctor.

 

For an instant, Dad thought Beezo had used a clown gun, some trick

 

firearm that squirted red ink.  The doctor dropped to the floor,

however, not with comic flair but with hideous finality, and the smell

of blood plumed thick, too real.

 

Beezo turned to Dad and raised the pistol.

 

In spite of the rumpled porkpie hat and the short-sleeved coat and the

bright patch on the seat of his pants, in spite of the white

greasepaint and the rouged cheeks, nothing about Konrad Beezo was

clownish at that moment.  His eyes were those of a jungle cat, and it

was easy to imagine that the teeth bared in his snarl were tiger fangs.

He loomed, the embodiment of murderous dementia, demonic.

 

Dad thought that he, too, would be shot, but Beezo said, “Stay out of

my way, Rudy Tock.  I have no quarrel with you.  You’re not an

aerialist.”

 

Beezo shouldered through the door between the lounge and the maternity

ward, slammed it shut behind him.

 

Dad knelt beside the doctor-and discovered that a breath of life

remained in him.  The wounded man tried to speak, could not.  Blood had

pooled in his throat, and he gagged.

 

Gently elevating the physician’s head, shoving old magazines under it

to brace the man at an angle that allowed him to breathe, Dad shouted

for help as the swelling storm rocked the night with doomsday peals of

thunder.

 

Dr.  Ferris MacDonald had been Maddy’s physician.  He had also been

called upon to treat Natalie Beezo when, unexpectedly, she had been

brought to the hospital in labor.

 

Mortally wounded, he seemed more bewildered than frightened.  Able to

clear his throat and breathe now, he told my father, “She died during

delivery, but it wasn’t my fault.”

 

For a terrifying moment, my dad thought Maddy had died.

 

Dr.  MacDonald realized this, for his last words were “Not Maddy.  The

clown’s wife.  Maddy… is alive.  I’m so sorry, Rudy.”

 

Ferris MacDonald died with my father’s hand upon his heart.

 

As the thunder rolled toward a far horizon, Dad heard another gunshot

from beyond the door through which Konrad Beezo had vanished.

 

Maddy lay somewhere behind that door-a woman left helpless by a

difficult labor.  I was back there, too-an infant who was not yet

enough of a lummox to defend himself.

 

My father, then a baker, had never been a man of action; nor did he

become one when, a few years later, he graduated to the status of

pastry chef.  He is of average height and weight, not physically weak

but not born for the boxing ring, either.  He had to that point led a

charmed life, without serious want, without any strife.

 

Nevertheless, fear for his wife and his child cast him into a strange,

cold panic marked more by calculation than by hysteria.  Without a

weapon or a plan, but suddenly with the heart of a lion, he opened that

door and went after Beezo.

 

Although his imagination spun a thousand bloody scenarios in mere

seconds, he says that he did not anticipate what was about to happen,

and of course he could not foresee how the events of that night would

reverberate through the next thirty years with such terrible and

astonishing consequences in his life and mine.

 

At Snow County Hospital, in the expectant-fathers’ waiting room, the

inner door opens to a short corridor with a supply room to the left and

a bathroom to the right.  Fluorescent ceiling panels, white walls, and

a white ceramic-tile floor imply impeccable antibacterial procedures.

 

I have seen that space because my child entered the world in the same

maternity ward on another unforgettable night of incomparable chaos.

 

On that stormy evening in 1974, with Richard Nixon gone home to

California, and Beezo on a rampage, my father found a nurse sprawled in

the hallway, shot point-blank.

 

He remembers almost being driven to his knees by pity, by despair.

 

The loss of Dr.  MacDonald, although terrible, had not fully penetrated

Dad, for it had been so sudden, so dreamlike.  Mere moments later, the

sight of this dead nurse-young, fair, like a fallen angel in white

raiments, golden hair fanning in a halo around her eerily serene

face-pierced him, and he absorbed the truth and the meaning of both

deaths at once.

 

He tore open the storage-closet door, searching for something he might

use as a weapon.  He found only spare linens, bottles of antiseptic

cleaner, a locked cabinet of medications… Although in retrospect this

moment struck him as darkly comic, at the time he thought, with grave

seriousness and with the logic of desperation, that having kneaded so

much dough over the past few years, his hands were dangerously strong.

If only he could get past Beezo’s gun, he surely would have the

strength to strangle him.

 

No makeshift weapon could hope to be as deadly as the well-flexed hands

of an angry baker.  Sheer terror spawned this lunatic notion;

curiously, however, terror also gave him courage.

 

The short hallway intersected a longer one, which led left and right.

Off this new corridor, three doors served a pair of delivery rooms as

well as the neonatal care unit where swaddled newborns, each in his or

her bassinet, pondered their new reality of light, shadow, hunger,

discontent, and taxes.

 

Dad sought my mother and me, but found only Her.  She lay in one of the

delivery rooms, alone and unconscious on the birthing bed.

 

At first he thought that she must be dead.  Darkness swooned at the

edges of his vision, but before he passed out, he saw that his beloved

Maddy was breathing.  He clutched the edge of her bed until his vision

brightened.

 

Gray-faced, drenched with sweat, she looked not like the vibrant woman

he knew, but instead appeared to be frail and vulnerable.

 

Blood on the sheets suggested that she’d delivered their child, but no

squalling infant was present.

 

Elsewhere, Beezo shouted, “Where are you bastards?”

 

Reluctant to leave my mother, Dad nonetheless went in search of the

conflict to see what help he could provide-as (he has always insisted)

any baker would have done.

 

In the second delivery room, he found Natalie Beezo upon another

birthing bed.  The slender aerialist had so recently died from the

complications of childbirth that her tears of suffering had not yet

dried upon her cheeks.

 

According to Dad, even after her agony and even in death, she was

ethereally beautiful.  A flawless olive complexion.  Raven hair.  Her

eyes were open, luminous green, like windows to a field in Heaven.

 

For Konrad Beezo, who didn’t appear to be handsome under the

greasepaint and who was not a man of substantial property and whose

personality would surely be at least somewhat off-putting even under

ordinary circumstances, this woman was a prize beyond all reasonable

expectation.  You could understand-though not excuse-his violent

reaction to the loss of her.

 

Stepping out of the delivery room, Dad came face to face with the

homicidal clown.  Simultaneously Beezo flung open the door from the

creche and charged into the hall, a blanketed infant cradled in the

crook of his left arm.

 

At this close range, the pistol in his right hand appeared to be twice

the size that it had been in the waiting room, as if they were in

Alice’s Wonderland, where objects grew or shrank with no regard for

reason or for the laws of physics.

 

Dad might have seized Beezo’s wrist and, with his strong baker’s hands,

fought for possession of the gun, but he dared not act in any way that

would have put the baby at risk.

 

With its pinched red face and furrowed brow, the infant appeared

indignant, offended.  Its mouth stretched open wide, as though it were

trying to scream but had been shocked silent by the realization that

its father was a mad clown.

 

Thank God for the baby, Dad has often said.  Otherwise I would have

gotten myself killed.  You’d have grown up fatherless, and you’d never

have learned how to make a first-rate creme brulee.

 

So cradling the baby and brandishing the pistol, Beezo demanded of my

father, “Where are they, Rudy Tock?”

 

“Where are who?”  Dad asked.

 

The red-eyed clown appeared to be both wrung by grief and ripped by

anger.  Tears streaked his makeup.  His lips trembled as if he might

sob uncontrollably, then skinned back from his teeth in an expression

of such ferocity that a chill wound through Dad’s bowels.

 

“Don’t play dumb,” Beezo warned.  “There had to be other nurses, maybe

another doctor.  I want the bastards dead, all of them who failed

her.”

 

“They ran,” my father said, certain that it would be safer to lie about

having seen the medical staff escape than to insist that he had

encountered no one.  “They slipped out behind your back, the way you

came, through the waiting room.  They’re long gone.”

 

Feeding on his rage, Konrad Beezo appeared to swell larger, as if anger

were the food of giants.  No Barnum & Bailey buffoonery brightened his

face, and the poisonous hatred in his eyes was as potent as cobra

venom.

 

Lest he become a stand-in for the medical staff no longer within

Beezo’s reach, Dad quickly added, with no trace of threat, as if only

being helpful, “Police are on the way.  They’ll want to take the baby

from you.”

 

“My son is mine,”” Beezo declared with such passion that the stink of

stale cigarette smoke rising from his clothes might almost have been

mistaken for the consequence of his fiery emotion.  “I will do anything

to keep him from being raised by the aerialists.”

 

Walking a thin line between clever manipulation and obvious fawning in

the interest of self-preservation, my father said, “Your boy will be

the greatest of his kind-clown, jester, harlequin, jack muffing

 

“Jackpudding,” the killer corrected, but without animosity.  “Yes,

he’ll be the greatest.  He will.  I won’t let anyone deny my son his

destiny.”

 

With baby and pistol, Beezo pushed past my dad and hurried along the

shorter hall, where he stepped over the dead nurse with no more concern

for her than he’d have shown for a janitor’s mop and bucket.

 

Feverishly trying to think of something that he could do to bring down

this brute without harming the infant, Dad could only watch in

frustration.

 

When Beezo reached the door to the expectant-fathers’ lounge, he

hesitated, glanced back.  “I’ll never forget you, Rudy Tock.  Never.”

 

My father could not decide whether that declaration might be an

expression of misguided sentimental affection-or a threat.

 

Beezo pushed through the door and disappeared.

 

At once, Dad hurried back to the first delivery room because his

primary concern understandably remained with my mother and me.

 

Still unattended, my mother lay on the birthing bed where Dad had

moments ago discovered her.  Though still gray-faced and soaked with

sweat, she had regained consciousness.

 

She groaned with pain, blinked in confusion.

 

Whether she was merely disoriented or delirious is a matter of

contention between my parents, but my father insists that he feared for

her when she said, “If you want Reuben sandwiches for dinner, we’ll

have to go to the market for cheese.”

 

Mom insists that she actually said, “After this, don’t think you’re

ever going to touch me again, you son of a bitch.”

 

Their love is deeper than desire, than affection, than respect, so deep

that its wellspring is humor.  Humor is a petal on the flower of hope,

and hope blossoms on the vine of faith.  They have faith in each other

and faith that life has meaning, and from this faith comes their

indefatigable good humor, which is their greatest gift to each

other-and to me.

 

I grew up in a home filled with laughter.  Regardless of what happens

to me in the days ahead, I will have had the laughter.  And wonderful

pastries.

 

In this account of my life, I will resort at every turn to amusement,

for laughter is the perfect medicine for the tortured heart, the balm

for misery, but I will not beguile you.  I will not use laughter as a

curtain to spare you the sight of horror and despair.  We will laugh

together, but sometimes the laughter will hurt.

 

So… Whether my mother was delirious or sound of mind, whether she

blamed my father for the pain of labor or discussed the need for

cheese, they are in relative agreement about what happened next.  My

father found a wall-mounted phone near the door and called for help.

 

Because this device was more an intercom than a phone, it did not have

a standard keypad, just four keys, each clearly labeled: staffing,

 

PHARMACY, MAINTENANCE, SECURITY.

 

Dad pressed security and informed the answering officer that people had

been shot, that the assailant, costumed as a clown, was even then

fleeing the building, and that Maddy needed immediate medical

assistance.

 

From the bed, clearheaded now if she had not been previously, my mother

cried out, “Where’s my baby?”

 

Phone still to his ear, my father turned to her, astounded, alarmed.

“You don’t know where it is?”

 

Striving unsuccessfully to sit up, grimacing with pain, Mom said, “How

would I know?  I passed out or something.  What do you mean someone was

shot?  For God’s sake, who was shot?  What’s happening?  Where’s my

baby?”

 

Although the delivery room had no windows, although it was surrounded

by hallways and by other rooms that further insulated it from the

outside world, my folks heard faint sirens rising in the distance.

 

Dad’s memory regurgitated the suddenly nauseating image of Beezo in the

hallway, the pistol in his right hand, the baby cradled in his left

arm.  Bitter acid burned in my father’s throat, and his already harried

heart raced faster.

 

Perhaps Beezo’s wife and child had died at birth.  Perhaps the infant

in his arms hadn’t been his own but had been instead little James-or

Jennifer-Tock.

 

I thought “kidnapped,” Dad says when he recalls the moment.  / thought

about the Lindbergh baby and Frank Sinatra Junior being held for ransom

and Rumpelstiltskin and Tarzan being raised by apes, and though none of

that makes sense, I thought it all in an instant.  I wanted to scream,

but I couldn’t, and I felt just like that red-faced baby with its mouth

open but silent, and when I thought of the baby, oh, then I just knew

it had been you, not his at all, but you, my Jimmy.

 

Desperate now to find Beezo and stop him, Dad dropped the phone, bolted

toward the open door to the hallway-and nearly collided with Charlene

Coleman, a nurse who came bearing a baby in her arms.

 

This infant had a broader face than the one Beezo had spirited into the

stormy night.  Its complexion was a healthy pink instead of mottled

red.  According to Dad, its eyes shone clear and blue, and its face

glowed with wonder.

 

“I hid with your baby,” Charlene Coleman said.  “I hid from that awful

man.  I knew he would be trouble when he first showed up with his wife,

him wearing that ugly hat indoors and making no apology for it.”

 

I wish I could verify from personal experience that, indeed, what

alarmed Charlene from the get-go was not Beezo’s clown makeup, not his

poisonous ranting about his aerialist in-laws, not his eyes so crazy

that they almost spun like pinwheels, but simply his hat.

Unfortunately, less than one hour old, I had not yet learned English

and had not even sorted out who all these people were.

 

Trembling with relief, Dad took me from Charlene Coleman and carried

me to my mother.

 

After the nurse raised the head of the birthing bed and provided more

pillows, Mom was able to take me in her arms.

 

Dad swears that her first words to me were these: “You better have been

worth all the pain, Little Blue Eyes, ’cause if you turn out to be an

ungrateful child, I’ll make your life a living hell.”

 

Tearful, shaken by all that had occurred, Charlene recounted recent

events and explained how she’d been able to spirit me to safety when

the shooting started.

 

Unexpectedly required to attend two women simultaneously in urgent and

difficult labor, Dr.  MacDonald had been unable at that hour to locate

a qualified physician to assist on a timely basis.  He divided his

attention between the two patients, hurrying from one delivery room to

the other, relying on his nurses for backup, his work complicated by

the periodically dimming lights and worry about whether the hospital

generator would kick in reliably if the storm knocked out electric

service.

 

Natalie Beezo had received no prenatal care.  She unknowingly suffered

from preeclampsia.  During labor she developed full-blown eclampsia and

experienced violent convulsions that would not respond to treatment and

that threatened not only her own life but the life of her unborn

child.

 

Meanwhile, my mother endured an excruciating labor resulting largely

from the failure of her cervix to dilate.  Intravenous injections of

synthetic oxytocin initially did not induce sufficient contractions of

the uterine muscles to allow her to squeeze me into the world.

 

Natalie delivered first.  Dr.  MacDonald tried everything to save her-

an endotracheal tube to assist her breathing, injections of

anticonvulsants-but soaring blood pressure and convulsions led to a

massive cerebral hemorrhage that killed her.

 

Even as the umbilical cord was tied off and cut between the Beezo baby

and his dead mother, my mother, exhausted but still struggling to expel

me, suddenly and at last experienced cervical dilation.

 

The Jimmy Tock show had begun.

 

Before undertaking the depressing task of telling Konrad Beezo that he

had gained a son and lost a wife, Dr.  MacDonald delivered me and,

according to Charlene Coleman, announced that this solid little package

would surely grow up to be a football hero.

 

Having successfully conveyed me from womb to wider world, my mother

promptly passed out.  She didn’t hear the doctor’s prediction and

didn’t see my broad, pink, wonder-filled face until my protector,

Charlene, returned and presented me to my father.

 

After Dr.  MacDonald had given me to Nurse Coleman to be swabbed and

then wrapped in a white cotton receiving cloth, and when he had

satisfied himself that my mother had merely fainted and that she would

come to herself in moments, with or without smelling salts, he peeled

 

off his latex gloves, pulled down his surgical mask, and went to the

expectant-fathers’ lounge to console Konrad Beezo as best he could.

 

Almost at once, the shouting started: bitter, accusatory words,

paranoid accusations, the vilest language delivered in the most furious

voice imaginable.

 

Even in the usually serene, well-soundproofed delivery room, Nurse

Coleman heard the uproar.  She understood the tenor if not the

specifics of Konrad Beezo’s reaction to the loss of his wife.

 

When she left the delivery room and stepped into the hallway to hear

Beezo more clearly, intuition told her to carry me with her, bundled in

the thin blanket.

 

In the hall, she encountered Lois Hanson, another nurse, who had in her

arms the Beezo baby.  Lois, too, had ventured forth to hear the clown’s

intemperate outburst.

 

Lois made a fatal mistake.  Against Charlene’s advice, she moved toward

the closed door to the waiting room, believing that the sight of his

infant son would quench Beezo’s hot anger and ameliorate the intense

grief from which his rage had flared.

 

Herself a refugee from an abusive husband, Charlene had little faith

that the grace of fatherhood would temper the fury of any man who, even

in a moment of profound loss, responded first and at once with rage and

with threats of violence rather than with tears or shock, or denial.

Besides, she remembered his hat, worn indoors with no regard for

manners.  Charlene sensed trouble coming, big trouble.

 

She retreated with me along the maternity ward’s internal hall to the

neonatal care unit.  As that door was swinging shut behind us, she

heard the gunshot that killed Dr.  MacDonald.

 

This room contained rows of bassinets in which newborns were nestled,

most dreaming, a few cooing, none yet crying.  An enormous view window

occupied the better part of one long wall, but no proud fathers or

grandparents were currently standing on the other side of it.

 

With the infants were two creche nurses.  They had heard the shouting,

then the shot, and they were more receptive to Charlene’s advice than

Lois had been.

 

Presciently, Nurse Coleman assured them the gunman wouldn’t hurt the

babies but warned he would surely kill every member of the hospital

staff that he could find.

 

Nevertheless, before fleeing, each nurse scooped up an infant-and

fretted about those they were forced to leave behind.  Frightened by a

second shot, they followed Charlene through a door beside the view

window, out of the maternity ward into the main corridor.

 

The three, with their charges, took refuge in a room where an elderly

man slept on unaware.

 

A low-wattage night-light did little to press back the gloom, and the

flickering storm at the window only made the shadows jitter with in

sectile energy.

 

Quiet, hardly daring to breathe, the three nurses huddled together

until Charlene heard sirens in the distance.  This welcome wail drew

her to the window, which provided a view of the parking lot in front of

the hospital; she hoped to see police cars.

 

Instead, from that second-story room, she saw Beezo with his baby,

crossing the rain-washed blacktop.  He looked, she said, like a figure

in a foul dream, scuttling and strange, like something you might see on

the night that the world ended and cracks opened in the foundations of

the earth to let loose the angry legions of the damned.

 

Charlene is a transplanted Mississippian and a Baptist whose soul is

filled with the poetry of the South.

 

Beezo had parked at such a distance that through the screen of rain and

under the yellow pall of the sodium-vapor lamps, the make, model, and

true color of his car could not be discerned.  Charlene watched him

drive away, hoping the police would intercept him before he reached the

nearby county road, but his taillights dwindled into the drizzling

darkness.

 

With the threat removed, she returned to the delivery room just as Dad’s thoughts were flashing from the Lindbergh baby tragedy to Rum-pelstiltskin to Tarzan raised by apes, in time to assure him that I had not been kidnapped by a homicidal clown.

 

Later my father would confirm that the minute of my birth, my length,

and my weight precisely fulfilled the predictions made by my

grandfather on his deathbed.  His first proof, however, that the events

in the intensive care unit were not just extraordinary but supernatural

came when, as my mother held me, he folded back the receiving blanket,

exposing my feet, and found that my toes were fused as Josef had

predicted.

 

“Syndactyly,” Dad said.

 

“It can be fixed,” Charlene assured him.  Then her eyes widened with

surprise.  “How do you know such a doctorish word?”

 

My father only repeated, “Syndactyly,” as he gently, lovingly, and with

amazement fingered my fused toes.

 

Syndactyly is not merely the name of the affliction with which I was

born but also the theme of my life for thirty years now.  Things often

prove to be fused in unanticipated ways.  Moments separated by many

years are unexpectedly joined, as if the space-time continuum has been

folded by some power with either a peculiar sense of humor or an agenda

arguably worthwhile but so complex as to be mystifying.  People unknown

to one another discover that they are bonded by fate as completely as

two toes sharing a single sheath of skin.

 

Surgeons repaired my feet so long ago that I have no slightest memory

of the procedures.  I walk, I run when I must, I dance but not well.

 

With all due respect for the memory of Dr.  Ferris MacDonald, I never

became a football hero and never wished to be one.  My family has never

had an interest in sports.

 

We are fans, instead, of puffs, eclairs, tarts, tortes, cakes, trifles,

and fans as well of the infamous cheese-and-broccoli pies and the

Reuben sandwiches and all the fabulous dishes of table-cracking weight

that my mother produces.  We will trade the thrills and glory of all

the games and tournaments mankind has ever invented for a dinner

together and for the conversation and the laughter that runs like a

fast tide from the unfolding of our napkins to the final sip of

coffee.

 

Over the years, I have grown from twenty inches to six feet.  My weight

has increased from eight pounds ten ounces to one hundred eighty-eight

pounds, which should prove my contention that I am at most husky, not

as large as I appear to be to most people.

 

The fifth of my grandfather’s ten predictions-that everyone would call

me Jimmy-has also proved true.

 

Even on first meeting me, people seem to think that James is too formal

to fit and that Jim is too earnest or otherwise inappropriate.  Even if

I introduce myself as James, and with emphasis, they at once begin

addressing me as Jimmy, with complete comfort and familiarity, as

though they have known me since my face was postpartum pink and my toes

were fused.

 

As I make these tape recordings with the hope that I may survive to

transcribe and edit them, I have lived through four of the five

terrible days about which Grandpa Josef warned my father.  They were

terrible both in the same and in different ways, each day filled with

the unexpected and with terror, some marked by tragedy, but they were

days filled with much else, as well.  Much else.

 

And now … one more to go.

 

My dad, my mom, and I spent twenty years pretending that the accuracy

of Josef’s first five predictions did not necessarily mean that the

next five would be fulfilled.  My childhood and teenage years passed

uneventfully, presenting no evidence whatsoever that my life was a

yo-yo on the string of fate.

 

Nevertheless, as the first of those five days relentlessly approached-

Thursday, September 15,1994-we worried.

 

Mom’s coffee consumption went from ten cups a day to twenty.

 

She has a curious relationship with caffeine.  Instead of fraying her

nerves, the brew soothes them.

 

If she fails to drink her usual three cups during the morning, by noon

she will be as fidgety as a frustrated fly buzzing against a

windowpane.  If she doesn’t pour down eight by bedtime, she lies awake,

so mentally active that she not only counts sheep by the thousand but

also names them and develops an elaborate life story for each.

 

Dad believes that Maddy’s topsy-turvy metabolism is a direct result of

the fact that her father was a long-haul trucker who ate No-DOz

caffeine tablets as if they were candy.

 

Maybe so, Mom sometimes answers my father, but what are you complaining

about?  When we were dating all you had to do was get five or six cheap

coffees into me, and I was as pliable as a rubber band.

 

As September 15, 1994, drew near, my father’s worry expressed itself in

fallen cakes, curdled custard, rubbery pie crusts, and creme brulee

that had a sandy texture.  He could not concentrate on his recipes or

his ovens.

 

I believe that I handled the anticipation reasonably well.  In the last

two days leading up to the first of those five ominous dates, I might

have walked into more closed doors than usual, might have tripped more

often than is customary for me when climbing the stairs.  And I do

admit to dropping a hammer on Grandma Rowena’s foot while trying to

hang a picture for her.  But it was her foot, not her head, and the one

instance when a trip led to a fall, I only tumbled down a single flight

of steps and didn’t break anything.

 

Our worry was kept somewhat in check by the fact that Grandpa Josef had

given Dad five “terrible days” in my life, not just one.  Obviously,

regardless of how grim September 15 might be, I would not die on that

day.

 

“Yes, but there’s always the possibility of severed limbs and

mutilation,” Grandma Rowena cautioned.  “And paralysis and brain

damage.”

 

She is a sweet woman, my maternal grandmother, but one with too sharp a

sense of the fragility of life.

 

As a child, I had dreaded those occasions when she insisted on reading

me to sleep.  Even when she didn’t revise the classic stories, which

she often did, even when the Big Bad Wolf was defeated, as he should

have been, Grandma paused at key points in the narrative to muse aloud

on the many gruesome things that might have happened to the three

little pigs if their defenses had not held or if their strategies had

proved faulty.  Being ground up for sausages was the least of it.

 

And so, less than six weeks after my twentieth birthday, came the first

of my five ordeals…. PARUTftLQ

 

Might as Well Die If I Can’t Fly

 

A,

 

t nine o’clock on the evening of Wednesday, September 14, my parents

and I met in their dining room to have as heavy a dinner as we might be

able to stand up from without our knees buckling.

 

We were also gathered to discuss once more the wisest strategies for

getting through the fateful day that lay just three hours ahead of me.

We hoped that in a prepared and cautious state of mind, I might reach

September 16 as unscathed as the three little pigs after their

encounter with the wolf.

 

Grandma Rowena joined us to speak from the point of view of the wolf.

That is, she would play the devil’s advocate and relate to us what

flaws she saw in our precautions.

 

As always, we took dinner on gold-rimmed Raynaud Limoges china, using

sterling-silver flatware by Buccellati.

 

In spite of what the table setting suggests, my parents are not

wealthy,

 

just securely middle class.  Although my father makes a fine salary as

a pastry chef, stock options and corporate jets don’t come with his

position.

 

My mother earns a modest income working part-time from home, painting

pet portraits on commission: mostly cats and dogs, but also rabbits,

parakeets, and once a r^nilk snake that came to pose and didn’t want to

leave.

 

Their small Victorian house would be called humble if it weren’t so

cozy that it feels sumptuous.  The ceilings are not high and the

proportions of the rooms are not grand, but they have been furnished

with great care and with an eye to comfort

 

You can’t blame Earl for taking refuge behind the living-room sofa,

under the claw-foot tub in the upstairs bath, in a clothes hamper, in

the pantry potato basket, and elsewhere during the three interesting

weeks that he adopted us.  Earl was the milk snake, and the home from

which he’d come was a sterile place with

stainless-steel-and-black-leather furniture, abstract art, and cactuses

for house plants.

 

Of all the charming corners in this small house where you might read a

book, listen to music, or gaze out a many-paned window at a be-jeweled

winter day, none is as welcoming as the dining room.  This is because

to the Tock family, food-and the conviviality that marks our every

meal-is the hub that turns the spokes that spin the wheel of life.

 

Therefore, the luxury of Limoges and Buccellati.

 

Considering that we are incapable of pulling up a chair to any dinner

with less than five courses and that we regard the first four, in which

we fully indulge, as mere preparation for the fifth, it is miraculous

that none of us is overweight.

 

Dad once discovered that his best wool suit had grown tight in the

waist.  He merely skipped lunch three days, and the pants were then

loose on him.

 

Mom’s caffeine tolerance is not the most significant curiosity

regarding our unusual relationship to food.  Both sides of the family,

the Tock

 

side and the Greenwich side (Greenwich being my mother’s maiden name),

have metabolisms as efficient as that of a hummingbird, a creature

which can eat three times its body weight each day and remain light

enough to fly.

 

Mom once suggested that she and my father had been instantly attracted

to each other in part because of a subliminal perception that they were

metabolic royalty.

 

The dining room features a coffered mahogany ceiling, mahogany

wainscoting, and a mahogany floor.  Silk moire walls and a Persian

carpet soften all the wood.

 

There is a blown-glass chandelier with pendant crystals, but dinner is

always served by candlelight.

 

On this special night in September of 1994, the candles were numerous

and squat, set in small but not shallow cut-crystal bowls, some clear

and others ruby-red, which fractured the light into soft prismatic

patterns on the linen tablecloth, on the walls, and on our faces.

Candles were placed not only on the table but also on the sideboards.

 

Had you glanced in through a window, you might have thought not that we

were at dinner but that we were conducting a seance, with food provided

to keep us entertained until at last the ghosts showed up.

 

Although my parents had prepared my favorite dishes, I tried not to

think of it as the condemned man’s last meal.

 

Five properly presented courses cannot be eaten on the same schedule as

a McDonald’s Happy Meal, especially not with carefully chosen wines. We

were prepared for a long evening together.

 

Dad is the head pastry chef for the world-famous Snow Village Resort, a

position he inherited from his father, Josef.  Because all breads and

pastries must be fresh each day, he goes to work at one o’clock in the

morning at least five and often six days a week.  By eight, with the

baking for the entire day complete, he comes home for breakfast with

Mom, then sleeps until three in the afternoon.

 

That September, I also worked those hours because I had been an

apprentice baker for two years at the same resort.  The Tock family

believes in nepotism.

 

Dad says it’s not really nepotism if your talent is real.  Give me a

good oven, and I am a wicked competitor.

 

Funny, but I am never clumsy in a kitchen.  When baking, I am Gene

Kelly, I am Fred Astaire, I am grace personified.

 

Dad would be going from our late dinner to work, but I would not.  In

preparation for the first of the five days in Grandpa Josef’s

prediction, I had taken a week’s vacation.

 

Our starter course was sou bourek, an Armenian dish.  Numerous

paper-thin layers of pasta are separated by equally thin layers of

butter and cheese, finished with a golden crust.

 

I still lived with my folks in those days, so Dad said, “You should

stay home from midnight to midnight.  Hide out.  Nap, read, watch a

little TV.”

 

“Then what’ll happen,” Grandma Rowena imagined, “is that he’ll fall

down the stairs and break his neck.”

 

“Don’t use the stairs,” Mom advised.  “Stay in your room, honey.  I can

bring your meals to you.”

 

“So then the house will burn down,” Rowena said.

 

“Now, Weena, the house won’t burn down,” Dad assured her.  “The

electrical wiring is sound, the furnace is brand new, both fireplace

chimneys were recently cleaned, there’s a grounded lightning rod on the

roof, and Jimmy doesn’t play with matches.”

 

Rowena was seventy-seven in 1994, twenty-four years a widow and past

her grief, a happy woman but opinionated.  She’d been asked to play the

devil’s advocate, and she was adamant in her role.

 

“If not a fire, then a gas explosion,” she declared.

 

“Gee, I don’t want to be responsible for destroying the house,” I

said.

 

“Weena,” Dad reasoned, “there hasn’t been a house-destroying gas

explosion in the entire history of Snow Village.”

 

“So an airliner will crash into the place.”

 

“Oh, and that happens weekly around here,” my father said.

 

“There’s a first time for everything,” Rowena asserted.

 

“If there’s a first time for an airliner to crash into our house, then

there’s a first time for vampires to move in next door, but I’m not

going to start wearing a garlic necklace.”

 

“If not an airliner, one of those Federal Express planes full of

packages,” Rowena said.

 

Dad gaped at her, shook his head.  “Federal Express.”

 

Mom interpreted: “What Mother means is that surely if fate has

something planned for our Jimmy, he can’t hide from it.  Fate is fate.

It’ll find him.”

 

“Maybe a United Parcel Service plane,” said Rowena.

 

Over steaming bowls of pureed cauliflower soup enlivened with white

beans and tarragon, we agreed that the wisest course for me would be to

proceed as I would on any ordinary day off work-though always with

caution.

 

“On the other hand,” Grandma Rowena said, “caution could get him

killed.”

 

“Now, Weena, how could caution get a person killed?”  my father

wondered.

 

Grandma finished a spoonful of soup and smacked her lips as she had

never done until she had turned seventy-five, two years previously. She

smacked them with relish, repeatedly.

 

Halfway between her seventh and eighth decades, she had decided that

longevity had earned her the right to indulge in certain small

pleasures she had never previously allowed herself.  These were pretty

much limited to smacking her lips, blowing her nose as noisily as she

wished (though never at the table), and leaving her spoon and/or fork

turned useful side up on the plate at the end of each course, instead

of useful side down as her mother, a true Victorian and a stickler for

etiquette, had instructed her always to do in order properly to

indicate that she had finished.

 

She smacked her lips again and explained why caution could be

 

dangerous: “Say Jimmy’s going to cross the street, but he worries that

a bus might hit him-“

 

“Or a garbage truck,” Mom suggested.  “Those great lumbering things on

these hilly streets-why, if the brakes let go, what’s to stop them?

They’d go right through a house.”

 

“Bus, garbage truck, might even be a speeding hearse,” Grandma

allowed.

 

“What reason would a hearse have to speed?”  Dad asked.

 

“Speeding or not, if it was a hearse,” said Grandma, “wouldn’t that be

ironic-run down by a hearse?  God knows, life is often ironic in a way

it’s never shown on television.”

 

“The viewing public could never handle it,” Mom said.  “Their capacity

for genuine irony is exhausted halfway through an episode of Murder,

She Wrote.”

 

“What passes for irony on TV these days,” my dad noted, “is just poor

plotting.”

 

I said, “I’m less spooked by garbage trucks than by those huge concrete

mixers they drive to construction sites.  I’m always sure the part that

revolves is suddenly going to work loose of the truck, roll down the

street, and flatten me.”

 

“All right,” Grandma Rowena said, “so it’s a concrete mixer Jimmy’s

afraid of meeting up with.”

 

“Not afraid exactly,” I said.  “Just leery.”

 

“So he stands on the sidewalk, looks left, then looks right, then looks

left again, being cautious, taking his time-and because he delays there

on the curb too long, he’s hit by a falling safe.”

 

In the interest of a healthy debate, my father was willing to entertain

some rather exotic speculations, but this stretched his patience too

far.  “A falling safe?  Where would it fall ram

 

“From a tall building, of course,” Grandma said.

 

“There aren’t any tall buildings in Snow Village,” Dad gently

protested.

 

“Rudy, dear,” Mom said, “I think you’re forgetting the Alpine Hotel.”

 

“That’s only four stories.”

 

“A safe dropped four stories would obliterate Jimmy,” Grandma insisted.

To me, in a concerned tone, she said, “I’m sorry.  Is this upsetting

you, sweetheart?”

 

“Not at all, Grandma.”

 

“It’s the simple truth, I’m afraid.”

 

“I know, Grandma.”

 

“It would obliterate you.”

 

“Totally,” I agreed.

 

“But it’s such a final word-obliterate.”

 

“It sure does focus the mind.”

 

“I should’ve thought before I spoke.  I should’ve said crushed.”

 

In lambent red candlelight, Weena had a Mona Lisa smile.

 

I reached across the table and patted her hand.

 

Being a pastry chef, required to mix many ingredients in precise

measure, my father has a greater respect for mathematics and reason

than do my mother and grandmother, who are more” artistic in their

temperaments and less slavishly devoted to logic than he is.  “Why,” he

asked, “would anyone raise a safe to the top of the Alpine Hotel?”

 

“Well, of course, to keep their valuables in,” said Grandma.

 

“Whose valuables?”

 

“The hotel’s valuables.”

 

Although Dad never triumphs in exchanges of this nature, he always

remains hopeful that if only he persists, reason will prevail.

 

“Why,” he asked, “wouldn’t they put a big heavy safe on the ground

floor?  Why go to all the trouble of craning it to the roof?”

 

My mother said, “Because no doubt their valuables were on the top

floor.”

 

In moments like these, I have never been quite sure if Mom shares more

than a little of Weena’s cockeyed perspective on the world or if she’s

playing with my father.

 

Her face is guileless.  Her eyes are never evasive, and always

limpid.

 

She is by nature a straightforward woman.  Her emotions are too clear

for misinterpretation, and her intentions are never ambiguous.

 

Yet as Dad says, for a person so admirably open and direct by nature,

she can turn inscrutable when it tickles her to, just as easily as

throwing a light switch.

 

That’s one of the things he loves about her.

 

Our conversation continued through an endive salad with pears, walnuts,

and crumbled blue cheese, followed by filet mignon on a bed of

potato-and-onion pancakes, with asparagus on the side.

 

Before Dad got up to roll the dessert cart in from the kitchen, we had

agreed that, for the momentous day ahead, I should keep to my usual

vacation routine.  With caution.  But not too much caution.

 

Midnight arrived.

 

September 15 began.

 

Nothing happened right away.

 

“Maybe nothing will,” Mom said.

 

“Something will,” Grandma disagreed, and smacked her lips.  “Something

will.”

 

If I had not been obliterated or even badly crushed by nine o’clock the

next evening, we would meet here for dinner again.  Together, we would

break bread while remaining alert for the whiff of natural gas and the

drone of a descending airliner.

 

Now, after demi dessert followed by a full dessert, followed by petits

fours, all accompanied by oceans of coffee, Dad went off to work, and I

helped with the kitchen cleanup.

 

Then at one-thirty in the morning, I retired to the living room to read

a new book for which I had high expectations.  I have a great fondness

for murder mysteries.

 

On the first page, a victim was found chopped up and packed in a trunk.

His name was Jim.

 

I put that book aside, selected another from the stack on the coffee

table, and returned to my armchair.

 

A beautiful dead blonde stared from the book jacket, strangled with an

antique Japanese obi knotted colorfully around her throat.

 

The first victim was named Delores.  With a sigh of contentment, I

settled down in my chair.

 

Grandma sat on the sofa, busy with a needlepoint pillow.  She had been

a master of decorative stitching since her teenage years.

 

Since she had moved in with Mom and Dad almost two decades ago, she had

kept baker’s hours, sewing elaborate patterns through the night.  My

mother and I kept that schedule, too.  Mom had home-schooled me because

our family lived by night.

 

Recently, Grandma’s preferred embroidery motifs were insects.  Her

butterfly wall hanging and even her ladybug chair cushions were

charming, but I did not care for the spider-festooned antimacassars on

my armchair or for the cockroach pillow.

 

In an adjacent alcove, which Mom had outfitted as her studio, she

worked happily on a pet portrait.  The subject was a glittery-eyed Gila

monster named Killer.

 

Because Killer was hostile toward strangers and not housebroken, the


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