Milo slipped in the darkness, falling to one knee. The stones of the beach cut his skin, and the blood darkened the oiled wool of his leggings. The old fisherman, Kirot his name was, paused and looked back at him, lifting his lantern and one white eyebrow in query. Are you coming, or staying here? To the north, the waves cracked with ice. To the south, the deep darkness of the village waited for their return. Milo forced himself to stand. A little more blood would do him no harm. He’d lost enough, God knew. Kirot nodded and turned back to the long, slow trudge along the shore.
The rhythm of their steps sounded against the waves like the complex patterns of a marriage dance. Milo could almost conjure up the thrill of the violins and the tapping of the shell drums. He had heard it said that of all the thirteen races of mankind, the Haaverkin had the most exquisite sense of music. In fairness, he’d only heard this said by other Haaverkin. A woman’s voice rose in the music, ululating in a sensual harmony with the strings, and Milo recognized that he was hallucinating. The voice of the water, his father called it. He’d heard it before sometimes when he’d been out on the boats in the dim light before dawn or limping back in to shore after a long day on the cold northern waters. Sometimes it was music, other times voices in conversation or argument. Some of the very old or very young claimed that the sounds were real, that they were the Drowned calling out to their brother race. Milo’s father said that was rot and piss. It was only a man’s mind playing tricks on itself, and the roar of ice and water to give it ground to play on. And so that was what Milo believed.
