{"id":3276,"date":"2026-01-03T23:16:56","date_gmt":"2026-01-03T23:16:56","guid":{"rendered":"https:\/\/epub-book.com\/download\/joe-pike-02-the-first-rule-crais-robert\/"},"modified":"2026-01-03T23:16:56","modified_gmt":"2026-01-03T23:16:56","slug":"joe-pike-02-the-first-rule-crais-robert","status":"publish","type":"post","link":"https:\/\/epub-book.com\/download\/joe-pike-02-the-first-rule-crais-robert\/","title":{"rendered":"Joe Pike 02 – The First Rule – Crais, Robert"},"content":{"rendered":"
\n

Book Preview<\/h3>\n
\n

\n

\n
\n
\nThe First Rule<\/span>
\n<\/span>
\n<\/span>\n<\/p>\n

\n
\n
\nJoe Pike 02<\/span>
\n<\/span>
\n<\/span>\n<\/p>\n

\n
\n
\nRobert Crais<\/span>
\n<\/span>
\n<\/span>\n<\/p>\n

\n

\nThe organized criminal gangs from the fifteen republics of the former Soviet Union are governed by what they call the Vorovskoy Zakon, the thieves’ code, which is comprised of eighteen written rules. The first rule is this: A thief must forsake his mother, father, brothers, and sisters. He must not have a family, no wife, no children. We are his family.<\/span>\n<\/p>\n

\nIf any of the eighteen rules are broken, the punishment is death.<\/span>\n<\/p>\n

\nGotta do that right thing.<\/span>\n<\/p>\n

\nPlease.<\/span>\n<\/p>\n

\nPlease.<\/span>\n<\/p>\n

\nPlease.<\/span>\n<\/p>\n

\nSomeone be that hard thing.<\/span>\n<\/p>\n

\nFor me.<\/span>\n<\/p>\n

\n

\nDECONSTRUCTED CHILD<\/span>\n<\/p>\n

\nFRANK MEYER CLOSED HIS COMPUTER as the early winter darkness fell over his home in Westwood, California, not far from the UCLA campus. Westwood was an affluent area on the Westside of Los Angeles, resting between Beverly Hills and Brentwood in a twine of gracious residential streets and comfortable, well-to-do homes. Frank Meyer, more surprised about it than anyone else, considering his background, lived in such a home.<\/span>\n<\/p>\n

\nWork finished, Frank settled back in his home office, listening to his sons crash through the far side of the house like baby rhinos. They made him happy, and so did the rich scent of braising beef that promised stew or boeuf bourguignon, which he never pronounced correctly but loved to eat. Voices came from the family room, too far away to make out the program, but almost certainly the sound of a game show on television. Cindy hated the nightly news.<\/span>\n<\/p>\n

\nFrank smiled because Cindy didn’t much care for game shows, either, but she liked the background sound of the TV when she cooked. Cindy had her ways, that was for sure, and her ways had changed his life. Here he was with a lovely home, a growing business, and a wonderful family, all of it owed to his wife.<\/span>\n<\/p>\n

\nFrank teared up, thinking how much he owed that woman. Frank was like that, sentimental and emotional, and had always been that way. As Cindy liked to say, Frank Meyer was just a big softy, which is why she fell in love with him.<\/span>\n<\/p>\n

\nFrank worked hard to live up to her expectations, and considered it a privilege, beginning eleven years ago when he realized he loved her and committed to reinventing himself. He was now a successful importer of garments from Asia and Africa, which he resold to wholesale chains throughout the United States. He was forty-three years old, still fit and strong, though not so much as in the old days. Okay, well, he was getting fat, but between his business and the kids, Frank hadn’t touched the weights in years, and rarely used the treadmill. When he did, his efforts lacked the zeal that had burned fever-hot in his earlier life.<\/span>\n<\/p>\n

\nFrank didn’t miss that life, never once, and if he sometimes missed the men with whom he had shared it, he kept those feelings to himself and did not begrudge his wife. He had re-created himself, and, by a miracle, his efforts had paid off. Cindy. The kids. The home they had made. Frank was still thinking about these changes when Cindy appeared at the door, giving him a lopsided, sexy grin.<\/span>\n<\/p>\n

\nHey, bud. You hungry?<\/span>\n<\/p>\n

\nJust finishing up. What am I smelling? It’s fabulous.<\/span>\n<\/p>\n

\nPounding footsteps, then Little Frank, ten years old and showing the square, chunky build of his father, caught the doorjamb beside his mother to stop himself, stopping so fast his younger brother, Joey, six and just as square, crashed into Little Frank’s back.<\/span>\n<\/p>\n

\nLittle Frank shouted, Meat!<\/span>\n<\/p>\n

\nJoey screamed, Ketchup!<\/span>\n<\/p>\n

\nCindy said, Meat and ketchup. What could be better?<\/span>\n<\/p>\n

\nFrank pushed back his chair, and stood.<\/span>\n<\/p>\n

\nNothing. I’m dying for meat and ketchup.<\/span>\n<\/p>\n

\nShe rolled her eyes and turned back toward the kitchen.<\/span>\n<\/p>\n

\nYou’ve got five, big guy. I’ll hose off these monsters. Wash up and join us.<\/span>\n<\/p>\n

\nThe boys made exaggerated screams as they raced away, passing Ana, who appeared behind Cindy. Ana was their nanny, a nice girl who had been with them almost six months. She had bright blue eyes, high cheekbones, and was a fantastic help with the kids. Another perk of Frank’s increasing success.<\/span>\n<\/p>\n

\nAna said, I’m going to feed the baby now, Cindy. You need anything?<\/span>\n<\/p>\n

\nWe’ve got it under control. You go ahead.<\/span>\n<\/p>\n

\nAna looked in at Frank.<\/span>\n<\/p>\n

\nFrank? Anything I can do?<\/span>\n<\/p>\n

\nI’m good, hon. Thanks. I’ll be along in a minute.<\/span>\n<\/p>\n

\nFrank finished putting away his paperwork, then pulled the shades before joining his family for dinner. His office, with its window facing the nighttime street, was now closed against the darkness. Frank Meyer had no reason to suspect that something unspeakable was about to happen.<\/span>\n<\/p>\n

\nAS FRANK ENJOYED DINNER with his family, a black-on-black Cadillac Escalade slow-rolled onto his street from Wilshire Boulevard, the Escalade boosted earlier that day from a shopping center in Long Beach, Moon Williams swapping the plates with an identical black Escalade they found outside a gentlemen’s club in Torrance. This was their third time around the block, clocking the street for pedestrians, witnesses, and civilians in parked cars.<\/span>\n<\/p>\n

\nThis time around, the rear windows drooped like sleepy eyes, and street lights died one by one, Jamal shooting them out with a .22-caliber pellet pistol.<\/span>\n<\/p>\n

\nDarkness followed the Escalade like a rising tide.<\/span>\n<\/p>\n

\nFour men in the vehicle, black cutouts in the shadowed interior, Moon driving, Moon’s boy Lil Tai riding shotgun, Jamal in back with the Russian. Moon, eyes flicking between the houses and the white boy, wasn’t sure if the foreigner was a Russian or not. What with all the Eastern Bloc assholes runnin’ around, boy coulda been Armenian, Lithuanian, or a muthuhfuckin’ Transylvanian vampire, and Moon couldn’t tell’m apart. All Moon knew, he was makin’ more cash since hookin’ up with the foreign muthuhfucka chillin’ behind him than any time in his life.<\/span>\n<\/p>\n

\nStill, Moon didn’t like him back there, money or not. Didn’t want that creepy, glassy-eyed muthuhfucka behind him. All these months, this was the first time the fucka had come with them. Moon didn’t like that, either.<\/span>\n<\/p>\n

\nMoon said, You sure now, homeboy? That house right there?<\/span>\n<\/p>\n

\nSame as last time we passed, the one like a church.<\/span>\n<\/p>\n

\nMoon clocked a nice house with a steep roof and these gargoyle-lookin’ things up on the eaves. The street was wide, and lined with houses all set back on big sloping lawns. These homes, you’d find lawyers, business-people, the occasional dilettante drug dealer.<\/span>\n<\/p>\n

\nLil Tai twisted around to grin at the white boy.<\/span>\n<\/p>\n

\nHow much money we gettin’ this time?<\/span>\n<\/p>\n

\nMuch money. Much.<\/span>\n<\/p>\n

\nJamal licked his lips, makin’ a smile wide as a piano.<\/span>\n<\/p>\n

\nTaste the money. Feel it right on my skin, all dirty and nasty.<\/span>\n<\/p>\n

\nMoon said, We gettin’ that shit.<\/span>\n<\/p>\n

\nMoon killed the headlights and pulled into the drive, the four doors opening as soon as he cut the engine, the four of them stepping out. The Escalade’s interior lights had been removed, so nothing lit up. Only sound was Lil Tai’s eighteen-pound sledge, clunking the rocker panel as he got out.<\/span>\n<\/p>\n

\nThey went directly to the front door, Jamal first, Moon going last, walking backward to make sure no one was watching. Jamal popped the entry lights, just reached up and broke’m with his fingers, pop, pop, pop. Moon pressed a folded towel over the dead bolt to dull the sound, and Lil Tai hit that shit with the hammer as hard as he could.<\/span>\n<\/p>\n

\nFRANK AND CINDY WERE CLEARING the table when a crash jolted their home as if a car had slammed through the front door. Joey was watching the Lakers in the family room and Little Frank had just gone up to his room. When Frank heard the crash, he believed his older son had knocked over the grandfather clock in the front entry. Little Frank had been known to climb the clock to reach the second-floor landing, and, even though it was anchored for earthquake safety, Frank had warned the boys it could fall.<\/span>\n<\/p>\n

\nCindy startled at the noise, and Joey ran to his mother. Frank put down the plates, and was already hurrying toward the sound.<\/span>\n<\/p>\n

\nFrankie! Son, are you all right, ?<\/span>\n<\/p>\n

\nThey had only taken a step when four armed men rushed in, moving with the loose organization of men who had done this before.<\/span>\n<\/p>\n

\nFrank Meyer had faced high-speed, violent entries before, and had known how to react, but those situations had been in his former life. Now, eleven years and too many long days at a desk later, Frank was behind the play.<\/span>\n<\/p>\n

\nFour-man team. Gloves. Nine-millimeter pistols.<\/span>\n<\/p>\n

\nFirst man through had average height, espresso skin, and heavy braids to his shoulders. Frank knew he was the team leader because he acted like the leader, his eyes directing the play. A shorter man followed, angry and nervous, with a black bandanna capping his head, shoulder to shoulder with a bruiser showing tight cornrows and gold in his teeth, moving like he enjoyed being big. The fourth man was a step behind, moving more like an observer than part of the action. White, and big, almost as big as the bruiser, with a bowling-ball head, wide-set eyes, and thin sideburns that ran down his jaw like needles.<\/span>\n<\/p>\n

\nTwo seconds, they fanned through the rooms. A second behind, Frank realized they were a home invasion crew. He felt the buzz-rush of excitement that had always sparked through him during an engagement, then remembered he was an out-of-shape businessman with a family to protect. Frank raised his hands, shuffling sideways to place himself between the men and his wife.<\/span>\n<\/p>\n

\nTake what you want. Take it and leave. We won’t give you any trouble.<\/span>\n<\/p>\n

\nThe leader came directly to Frank, holding his pistol high and sideways like an idiot in a movie, bugging his eyes to show Frank he was fierce.<\/span>\n<\/p>\n

\nGoddamn right, muthuhfucka. Where is it?<\/span>\n<\/p>\n

\nWithout waiting for an answer, he slapped Frank with the pistol. Cindy shouted, but Frank had been hit harder plenty of times. He waved toward his wife, trying to calm her.<\/span>\n<\/p>\n

\nI’m okay. It’s okay, Cin, we’re gonna be fine.<\/span>\n<\/p>\n

\nGonna be dead, you don’t do what I say!<\/span>\n<\/p>\n

\nHe dug the pistol hard into Frank’s cheek, but Frank was watching the others. The bruiser and the smaller man split apart, the bruiser charging to the French doors to check out the back, the little guy throwing open cabinets and doors, both of them shouting and cursing. Their movements were fast. Fast into the house. Fast into Frank’s face. Fast through the rooms. Fast to drive the play, and loud to increase the confusion. Only the man with the strange sideburns moved slowly, floating outside the perimeter as if with a private agenda.<\/span>\n<\/p>\n

\nFrank knew from experience it wasn’t enough to follow the play; you had to be ahead of the action to survive. Frank tried to buy himself time to catch up.<\/span>\n<\/p>\n

\nMy wallet’s in my office. I’ve got three or four hundred dollars,<\/span>\n<\/p>\n

\nThe leader hit Frank again.<\/span>\n<\/p>\n

\nYou take me a fool, muthuhfuckin’ wallet?<\/span>\n<\/p>\n

\nWe use credit cards,<\/span>\n<\/p>\n

\nHit him again. Harder.<\/span>\n<\/p>\n

\nThe man with the sideburns finally stepped out of the background, appearing at the table.<\/span>\n<\/p>\n

\nSee the plates? More people are here. We must look for the others.<\/span>\n<\/p>\n

\nFrank was surprised by the accent. He thought it was Polish, but couldn’t be sure.<\/span>\n<\/p>\n

\nThe man with the accent disappeared into the kitchen just as the bruiser charged out of the family room to Cindy and Joey. He held his pistol to Cindy’s temple, shouting at Frank in his rage.<\/span>\n<\/p>\n

\nYou want this bitch dead? You want me to put this pipe right in her mouth? You want her to suck on this?<\/span>\n<\/p>\n

\nThe leader slapped Frank again.<\/span>\n<\/p>\n

\nYou think he don’t mean it?<\/span>\n<\/p>\n

\nThe bruiser suddenly backhanded Cindy with his pistol, splashing a red streamer from her cheek. Joey screamed, and Frank Meyer suddenly knew what to do.<\/span>\n<\/p>\n

\nThe man with Frank was watching the action when Frank grabbed his gun hand, rolled his wrist to lock the man’s arm, and jointed his elbow. Frank had been out of the life for years, but the moves were burned into his muscle memory from a thousand hours of training. He had to neutralize his captor, strip the weapon as he levered the man down, recover with the pistol in a combat grip, put two into the big man who had Cindy, then turn, acquire, and double-tap whoever was in his field of fire. Frank Meyer had gone automatic. The moves flowed out ahead of the play exactly as he had trained for them, and, back in the day, he could have completed the sequence in less than a second. But Frank was still fumbling with the pistol when three bullets slammed into him, the last shot hitting the heavy vertebra in Frank’s lower back, putting him down.<\/span>\n<\/p>\n

\nFrank opened his mouth, but only a hiss escaped. Cindy and Joey screamed, and Frank fought to rise with the fierce will of the warrior he had been, but will was not enough.<\/span>\n<\/p>\n

\nThe man with the accent said, I hear someone. In the back.<\/span>\n<\/p>\n

\nA shadow moved past, but Frank couldn’t see.<\/span>\n<\/p>\n

\nThe leader appeared overhead, cradling his broken arm. Huge shimmering tears dripped from his eyes and fell in slow motion like rain from his braids.<\/span>\n<\/p>\n

\nHe said, I’m gonna get me that money.<\/span>\n<\/p>\n

\nHe turned away toward Cindy.<\/span>\n<\/p>\n

\nFrank’s world grew dark, and all he had left were feelings of failure and shame. He knew he was dying, exactly the way he had always thought he would die, only not here, and not now. All of that should have been behind him.<\/span>\n<\/p>\n

\nHe tried to reach for his wife, but could not.<\/span>\n<\/p>\n

\nHe wanted to touch her, but could not.<\/span>\n<\/p>\n

\nHe wanted to protect her, but had not.<\/span>\n<\/p>\n

\nHis index finger was the only part of him that moved.<\/span>\n<\/p>\n

\nTwitching as if with a life of its own.<\/span>\n<\/p>\n

\nHis trigger finger.<\/span>\n<\/p>\n

\nPulling at empty air.<\/span>\n<\/p>\n

\nOUTSIDE, with its shades drawn, the Meyer house appeared peaceful. Heavy walls muffled most of the sounds within, and traffic noise from nearby Wilshire Boulevard was loud enough to mask the rest. Those screams which could be heard might have been from a home theater, a nice Surround Sound system.<\/span>\n<\/p>\n

\nCars passed, some leaving home to go out for the evening, others returning home after a long day at the office.<\/span>\n<\/p>\n

\nThe dull thump of a gunshot within the house was muted and unnatural. A Lexus sedan passed, but with its windows up and an iPod playlist rocking the exquisitely engineered vehicle, the driver heard nothing. She did not slow.<\/span>\n<\/p>\n

\nAnother thump pounded within the house a few moments later, accompanied by a flash like distant lightning behind the shades.<\/span>\n<\/p>\n

\nMore flashes followed.<\/span>\n<\/p>\n

\nThen more.<\/span>\n<\/p>\n

\nYou become responsible, forever, for what you have tamed.<\/span>\n<\/p>\n

\n, ANTOINE DE SAINT-EXUPA%RY, 1900-1944, Free French warrior and aviator who also typed Part One Professionals 1<\/span>\n<\/p>\n

\nAT TEN FOURTEEN THE following MORNING, approximately fifteen hours after the murders, helicopters were dark stars over the Meyer house when LAPD Detective-Sergeant Jack Terrio threaded his way through the tangle of marked and unmarked police vehicles, SID wagons, and vans from the Medical Examiner’s office. He phoned his task force partner, Louis Deets, as he approached the house. Deets had been at the scene for an hour.<\/span>\n<\/p>\n

\nI’m here.<\/span>\n<\/p>\n

\nMeet you at the front door. You gotta see this.<\/span>\n<\/p>\n

\nHang on, any word on the wit?<\/span>\n<\/p>\n

\nA slim possibility existed for a witness, an Anglo female had been found alive by the first responders and identified as the Meyers’ nanny.<\/span>\n<\/p>\n

\nDeets said, Not so hot. They brought her over to the Medical Center, but she’s circling the drain. In the face, Jackie. One in the face, one in the chest.<\/span>\n<\/p>\n

\nHold a good thought. We need a break.<\/span>\n<\/p>\n

\nMaybe we got one. You gotta see.<\/span>\n<\/p>\n

\nTerrio snapped his phone closed, annoyed with Deets and with the dead-end case. A home invasion crew had been hitting upscale homes in West L. A. and the Encino hills for the past three months, and this was likely their seventh score. All of the robberies had taken place between the dinner hour and eleven P. M. Two of the homes had been unoccupied at the time of entry, but, as with the Meyer home, the other four homes had been occupied. A litter of nine-millimeter cartridge casings and bodies had been left behind, but nothing else, no prints, DNA, video, or witnesses. Until now, and she was going to die.<\/span>\n<\/p>\n

\nWhen Terrio reached the plastic screen that had been erected to block the front door from prying cameras, he waited for Deets. Across the street, he recognized two squats from the Chief’s office, huddled up with a woman who looked like a Fed. The squats saw him looking, and turned away.<\/span>\n<\/p>\n

\nTerrio thought, Crap. Now what?<\/span>\n<\/p>\n

\nShe was maybe five six, and sturdy with that gymed-out carriage Feds have when they’re trying to move up the food chain to Washington. Navy blazer over outlet-store jeans. Wraparound shades. A little slit mouth that probably hadn’t smiled in a month.<\/span>\n<\/p>\n

\nDeets came up behind him.<\/span>\n<\/p>\n

\nYou gotta see this.<\/span>\n<\/p>\n

\nTerrio nodded toward the woman.<\/span>\n<\/p>\n

\nWho’s that with the squats?<\/span>\n<\/p>\n

\nDeets squinted at the woman, then shook his head.<\/span>\n<\/p>\n

\nI’ve been inside. It’s a mess in there, man, but you gotta see. C’mon, put on your booties,<\/span>\n<\/p>\n

\nThey were required to wear paper booties at the scene so as not to contaminate the evidence.<\/span>\n<\/p>\n

\nDeets ducked behind the screen without waiting, so Terrio hurried to catch up, steeling himself for what he was about to see. Even after eighteen years on the job and hundreds of murder cases, the sight of blood and rent human flesh left him queasy. Embarrassed by what he considered a lack of professionalism, Terrio stared at Deets’s back as he followed him past the criminalists and West L. A. Homicide detectives who currently filled the house, not wanting to see the blood or the gore until absolutely necessary.<\/span>\n<\/p>\n

\nThey reached a large, open dining area where a coroner investigator was photographing the crumpled form of an adult white male.<\/span>\n<\/p>\n

\nDeets said, Okay we touch the body?<\/span>\n<\/p>\n

\nSure. I’m good.<\/span>\n<\/p>\n

\nCan I have one of those wet-wipes?<\/span>\n<\/p>\n

\nThe CI gave Deets a wet-wipe, then stepped to the side, giving them room.<\/span>\n<\/p>\n

\nThe male victim’s shirt had been cut away so the CI could work on the body. Deets pulled on a pair of latex gloves, then glanced at Terrio. The body was lying in an irregular pool of blood almost six feet across.<\/span>\n<\/p>\n

\nBe careful of the blood.<\/span>\n<\/p>\n

\nI can see fine from here. I’m not stepping in that mess.<\/span>\n<\/p>\n

\nDeets lifted the man’s arm, cleaned a smear of blood off the shoulder with the wet-wipe, then held the arm for Terrio to see.<\/span>\n<\/p>\n

\nWhat do you think? Look familiar?<\/span>\n<\/p>\n

\nLividity had mottled the skin with purple and black bruising, but Terrio could still make out the tattoo. He felt a low dread of recognition.<\/span>\n<\/p>\n

\nI’ve seen this before.<\/span>\n<\/p>\n

\nYeah. That’s what I thought.<\/span>\n<\/p>\n

\nDoes he have one on the other arm, too?<\/span>\n<\/p>\n

\nOne on each side. Matching.<\/span>\n<\/p>\n

\nDeets lowered the arm, then stepped away from the body. He peeled off the latex gloves.<\/span>\n<\/p>\n

\nOnly one guy I know of has tats like this. He used to be a cop here. LAPD.<\/span>\n<\/p>\n

\nA blocky, bright red arrow had been inked onto the outside of Frank Meyer’s shoulder. It pointed forward.<\/span>\n<\/p>\n

\nTerrio’s head was racing.<\/span>\n<\/p>\n

\nThis is good, Lou. This gives us a direction. We just gotta figure out what to do about him.<\/span>\n<\/p>\n

\nThe woman’s voice cut through behind them.<\/span>\n<\/p>\n

\nAbout who?<\/span>\n<\/p>\n

\nTerrio turned, and there she was, the woman and the two squats. Wraparounds hiding her eyes. Mouth so tight she looked like she had steel teeth.<\/span>\n<\/p>\n

\nThe woman stepped forward, and didn’t seem to care if she stepped in the blood or not.<\/span>\n<\/p>\n

\nI asked a question, Sergeant. Do about who?<\/span>\n<\/p>\n

\nTerrio glanced at the arrow again, then gave her the answer.<\/span>\n<\/p>\n

\nJoe Pike.<\/span>\n<\/p>\n

\nFIRST TIME JOE PIKE saw the tattooed woman, she was struggling up the eastern ridge of Runyon Canyon, Pike running down, both of them blowing steam in the chill before dawn. The eastern trail was steep; a series of slopes and terraces that stepped from the apartment-lined neighborhoods at the base of the canyon to Mulholland Drive at the top of the Hollywood Hills. Seeing her in the murky light that first morning, the young woman appeared to be wearing tights, but as she drew closer, Pike realized her legs were sleeved with elaborate tattoos. More ink decorated her arms, and metal studs lined her ears, nose, and lips. Pike had only two tattoos. A red arrow on the outside of each deltoid, both pointing forward.<\/span>\n<\/p>\n

\nPike saw her two or three times each week after that, sometimes in the early-morning dark, other times later, when the sun was bright and the park was crowded. They had never exchanged more than a word or two.<\/span>\n<\/p>\n

\nThe day Pike learned about Frank and Cindy Meyer, he and the tattooed woman left the park together, jogging easily past the small homes north of Hollywood Boulevard with their whispers of faded dreams. They had not run together, but she had been at the bottom when he finished, and fell in beside him. Pike wondered if she had planned it that way, and was thinking about it when he saw the first man.<\/span>\n<\/p>\n

\nThe first man waited beneath a jacaranda tree on the opposite side of the street, jeans, sunglasses, knit shirt tight at the shoulders. He openly stared as Pike passed, then fell in behind at a casual jog, three or four car lengths back.<\/span>\n<\/p>\n

\nThe second man was leaning against a car with his arms crossed. He watched Pike and the woman pass, then he, too, fell in behind. Pike knew they were plainclothes police officers, so he decided to give himself room. He grunted a good-bye, and picked up his pace.<\/span>\n<\/p>\n

\nThe woman said, See you next time.<\/span>\n<\/p>\n

\nAs Pike drifted to the center of the street, a blue sedan pulled out from a cross street two blocks behind. One block ahead, a tan sedan pulled from the curb, boxing him in. Two men were in the front seat of the tan car, with a woman in back on the passenger side. Pike saw her turn to see him. Short brown hair. Wraparound sunglasses. Frown. The man in the passenger seat dangled a badge out the open window, letting Pike see.<\/span>\n<\/p>\n

\nPike eased to a stop. The sedans and trailing officers stopped when Pike stopped, everyone keeping their distance.<\/span>\n<\/p>\n

\nThe tattooed woman realized something was happening, and nervously danced on her toes.<\/span>\n<\/p>\n

\nDude, what is this?<\/span>\n<\/p>\n

\nKeep going.<\/span>\n<\/p>\n

\nShe didn’t keep going. She edged toward the nearest house, clearly frightened as she glanced from car to car.<\/span>\n<\/p>\n

\nI don’t like this. You want me to get help?<\/span>\n<\/p>\n

\nThey’re police. They just want to talk to me.<\/span>\n<\/p>\n

\nIf they wanted to arrest him, they wouldn’t have approached in the middle of a residential street. If they wanted to kill him, they would have already tried.<\/span>\n<\/p>\n

\nThe man with the badge got out of the lead car. He was balding, with a thin mustache that was too dark for the rest of his hair. His driver got out, too, a younger man with bright eyes. The woman remained in the car, twisted around to watch. She was on her cell phone. Pike wondered what she was saying.<\/span>\n<\/p>\n

\nThe man with the badge said, Jack Terrio, LAPD. This is Lou Deets. Okay if we come over there?<\/span>\n<\/p>\n

\nThey knew who he was, and so did the officers who had established a perimeter behind the two sedans. They had blocked the street and were rerouting traffic onto the cross streets.<\/span>\n<\/p>\n

\nSure.<\/span>\n<\/p>\n

\nPike unshouldered his rucksack. He ran with a weighted ruck, and also wore a fanny pack, a sleeveless gray sweatshirt, New Balance running shoes, blue shorts, and government-issue sunglasses. The sweatshirt was dark with sweat.<\/span>\n<\/p>\n

\nWhen Terrio and Deets reached him, Deets stood to the side.<\/span>\n<\/p>\n

\nThat’s some nice ink you have there, Pike, the red arrows. Don’t see many like that, do we, boss?<\/span>\n<\/p>\n

\nTerrio ignored him.<\/span>\n<\/p>\n

\nYou armed?<\/span>\n<\/p>\n

\nGun’s in the fanny pack. With the license.<\/span>\n<\/p>\n

\nDeets toed the ruck.<\/span>\n<\/p>\n

\nWhat’s in there, a rocket launcher?<\/span>\n<\/p>\n

\nFlour.<\/span>\n<\/p>\n

\nNo shit. You gonna bake me a cake?<\/span>\n<\/p>\n

\nDeets fingered open the ruck, then frowned.<\/span>\n<\/p>\n

\nHe’s got four ten-pound bags of flour in here.<\/span>\n<\/p>\n

\nThat’s what he told you, didn’t he? C’mon, let’s stay on topic.<\/span>\n<\/p>\n

\nTerrio put away his badge.<\/span>\n<\/p>\n

\nDon’t touch the fanny pack, okay?<\/span>\n<\/p>\n

\nPike nodded.<\/span>\n<\/p>\n

\nYou know a man name of Frank Meyer?<\/span>\n<\/p>\n

\nA chill spread through Pike’s belly. He had not seen Frank Meyer in years, though he frequently thought about him, and now his name hung in the mid-morning air like a frosty ghost. Pike glanced at their car. The woman was still watching, and still on the phone, as if she were reporting his reaction.<\/span>\n<\/p>\n

\nWhat happened?<\/span>\n<\/p>\n

\nDeets said, Have you seen him in the past week or so?<\/span>\n<\/p>\n

\nNot in a long time. Ten years, maybe.<\/span>\n<\/p>\n

\nWhat if I told you I have a witness who claims you were with Meyer recently?<\/span>\n<\/p>\n

\nPike studied Deets for a moment, and read he was lying. Pike turned back to Terrio.<\/span>\n<\/p>\n

\nYou want to play games, I’ll keep running.<\/span>\n<\/p>\n

\nNo games. Meyer and his family were murdered in their home two nights ago. The boys and the wife were executed. A woman we’ve identified as their nanny survived, but she’s in a coma.<\/span>\n<\/p>\n

\nNo part of Joe Pike moved except for the rise and fall of his chest until he glanced at the tattooed woman. An older woman in a dingy robe had come out of her house, and the two of them were watching from the door.<\/span>\n<\/p>\n

\nDeets said, That your girlfriend?<\/span>\n<\/p>\n

\nI don’t know who she is.<\/span>\n<\/p>\n

\nPike faced Terrio again.<\/span>\n<\/p>\n

\nI didn’t kill them.<\/span>\n<\/p>\n

\nDon’t think you did. We believe a professional home invasion crew killed them. We believe that same crew has hit six other homes in the past three months, murdering a total of eleven people.<\/span>\n<\/p>\n

\nPike knew where they were going.<\/span>\n<\/p>\n

\nYou don’t have any suspects.<\/span>\n<\/p>\n

\nNothing. No prints, pix, or witnesses. We don’t have any idea who’s doing this, so we started looking at the victims.<\/span>\n<\/p>\n

\nDeets said, And guess what, Pike? Turns out we found something the first six have in common. Three were drug traffickers, one was a pornogra pher who laundered money for the Israeli mob, and two were jewelry merchants who fenced stolen goods. The first six were as dirty as yesterday’s socks, so now we’re seeing what’s up with Meyer.<\/span>\n<\/p>\n

\nFrank wasn’t a criminal.<\/span>\n<\/p>\n

\nYou can’t know that.<\/span>\n<\/p>\n

\nFrank had an import business. He sold clothes.<\/span>\n<\/p>\n

\nTerrio fingered a photograph from his jacket. The picture showed Frank, Pike, and a chemical-company executive named Delroy Spence in the El Salvadoran jungle. The air had smelled of rotten fish and burning oil when the picture was taken. The temperature had been one hundred twelve degrees. Spence was dirty, lice-ridden, and wearing the remains of a tattered blue business suit. Meyer and Pike were wearing T-shirts, faded utility pants, and M4 rifles slung on their arms. Meyer and Spence were both smiling, though they were smiling for different reasons. Spence was smiling because Pike, Meyer, and a man named Lonny Tang had just rescued him after two months of captivity at the hands of a band of narco terrorists. Meyer was smiling because he had just cracked a joke about retiring to get married. Meyer looked like he was fourteen years old.<\/span>\n<\/p>\n

\nWhat does this have to do with now?<\/span>\n<\/p>\n

\nYou and Meyer were mercenaries.<\/span>\n<\/p>\n

\nSo?<\/span>\n<\/p>\n

\nTerrio studied the picture. He flexed it back and forth.<\/span>\n<\/p>\n

\nHe’s all over the world in shitholes like this, hanging out with the wrong kind of people. Maybe he started importing more than clothes.<\/span>\n<\/p>\n

\nNot Frank.<\/span>\n<\/p>\n

\nNo? None of his friends or neighbors knew what he used to do. Not one of the people we interviewed. This little picture is the only thing from those days we found in his house. Why do you think that is?<\/span>\n<\/p>\n

\nCindy didn’t approve.<\/span>\n<\/p>\n

\nWhether she approved or not, the man kept secrets. Maybe he wasn’t the man you thought.<\/span>\n<\/p>\n

\nI can’t help you.<\/span>\n<\/p>\n

\nTerrio slipped the picture into his pocket.<\/span>\n<\/p>\n

\nThis home invasion crew doesn’t pick homes at random. They don’t drive around, and say, hey, that one looks good. Sooner or later, we’re going to learn Meyer had something they wanted, dope, cash, maybe the ayatol lah’s secret jewels.<\/span>\n<\/p>\n

\nFrank sold clothes.<\/span>\n<\/p>\n

\nTerrio glanced at Deets, then returned to the tan sedan without another word. Deets didn’t follow.<\/span>\n<\/p>\n

\nDeets said, So you haven’t seen this guy in ten years?<\/span>\n<\/p>\n

\nNo.<\/span>\n<\/p>\n

\nWhy is that? You have a falling-out?<\/span>\n<\/p>\n

\nPike thought how best to answer, but most of it wasn’t their business.<\/span>\n<\/p>\n

\nLike I said, his wife.<\/span>\n<\/p>\n

\nBut it was your picture he kept. And your tattoos. What’s up with that, Pike? Some kind of unit thing?<\/span>\n<\/p>\n

\nPike didn’t understand.<\/span>\n<\/p>\n

\nThe arrows?<\/span>\n<\/p>\n

\nYeah, here and here, like you.<\/span>\n<\/p>\n

\nOn the day Frank’s contract expired and he left the contract service for good, Frank Meyer had no tattoos.<\/span>\n<\/p>\n

\nPike said, I don’t know what you’re talking about.<\/span>\n<\/p>\n

\nDeets made a stiff smile, then lowered his voice.<\/span>\n<\/p>\n

\nI never met someone who’s killed as many people as you, still walking free.<\/span>\n<\/p>\n

\nPike watched Deets walk away. Terrio was already in the car. Deets walked around to the far side, and got in behind the wheel. The woman in the backseat was talking to Terrio. They drove away. The plainclothes officers followed. The neighborhood returned to normal.<\/span>\n<\/p>\n

\nEverything was normal except Frank Meyer was dead.<\/span>\n<\/p>\n

\nThe tattooed woman trotted up, excited and anxious.<\/span>\n<\/p>\n

\nDude, that was crazy. What did they want?<\/span>\n<\/p>\n

\nA friend of mine was murdered.<\/span>\n<\/p>\n

\nOh, shit, I’m sorry. That’s awful. They think you did it?<\/span>\n<\/p>\n

\nNothing like that.<\/span>\n<\/p>\n

\nShe made a ragged laugh, nervous at the edges.<\/span>\n<\/p>\n

\nDude, listen, they do. I’m tellin’ you, man, those cats were scared of you.<\/span>\n<\/p>\n

\nMaybe.<\/span>\n<\/p>\n

\nI’m not.<\/span>\n<\/p>\n

\nThe tattooed woman punched him in the arm. It was the first time she had touched him. Pike studied her for a moment, then shouldered his ruck.<\/span>\n<\/p>\n

\nYou don’t know me.<\/span>\n<\/p>\n

\nPike settled the pack, and continued his run.<\/span>\n<\/p>\n

\nWHEN PIKE REACHED HIS JEEP, he drove directly to Frank Meyer’s home. Pike had lied to Terrio. He had seen Frank three years ago, though they had not spoken. A mutual friend told Pike about Frank’s new house in Westwood, so Pike cruised by. Pike also cruised by the little ranch home Frank and Cindy owned in Studio City a few years before that. Frank Meyer had been on Pike’s team, so Pike liked to make sure he was doing okay even though the two hadn’t spoken in years.<\/span>\n<\/p>\n

\nThe Westwood house was taped off as an active crime scene, though the crush of lookie-loos and newspeople that would have been present the day before were gone. A black-and-white radio car was out front, along with two SID wagons, an unmarked sedan, and a single TV news van. Two female officers posted to protect the scene were slumped in the radio car, bored out of their minds with nothing to do except listen to their iPods.<\/span>\n<\/p>\n

\nPike parked a block behind their car, then studied Frank Meyer’s house. He wanted to know how Frank died, and was thinking he would break in later that night when a tall, thin criminalist named John Chen came down the drive to an SID wagon. Chen was a friend. Pike would have called Chen anyway, but Chen being here was a stroke of good fortune that would save time.<\/span>\n<\/p>\n

\nChen’s vehicle was directly in front of the radio car. If Chen left, Pike would follow. If Chen returned to the house, Pike would wait.<\/span>\n<\/p>\n

\nPike was waiting to see what Chen would do when his phone rang. The caller ID read John Chen.<\/span>\n<\/p>\n

\nPike said, Hello, John.<\/span>\n<\/p>\n

\nChen was a paranoid. Even though he was alone in his vehicle his voice was guarded, as if he was worried about being overheard.<\/span>\n<\/p>\n

\nJoe, it’s me, John Chen. I’m at a murder scene in Westwood. The police are coming to,<\/span>\n<\/p>\n

\nI’m behind you, John.<\/span>\n<\/p>\n

\nWhat?<\/span>\n<\/p>\n

\nLook behind you.<\/span>\n<\/p>\n

\nChen emerged from his wagon. He stared at the radio car as if the officers would jump out to arrest him.<\/span>\n<\/p>\n

\nPike said, Farther back. I’m on the next block.<\/span>\n<\/p>\n

\nChen finally saw him, then shriveled back into his wagon.<\/span>\n<\/p>\n

\nDid the police already come see you?<\/span>\n<\/p>\n

\nA detective named Terrio.<\/span>\n<\/p>\n

\nI was calling to warn you, bro. They found a picture of you with the vic. I’m sorry, man. I only heard about it this morning.<\/span>\n<\/p>\n

\nI want to see what happened in there.<\/span>\n<\/p>\n

\nChen hesitated again.<\/span>\n<\/p>\n

\nIt’s a mess.<\/span>\n<\/p>\n

\nChen, warning that he would see something awful, but Pike had seen awful things before.<\/span>\n<\/p>\n

\nChen sighed.<\/span>\n<\/p>\n

\nOkay, listen, two dicks from West L. A. are inside. I don’t know how long they’ll be.<\/span>\n<\/p>\n

\nI’ll wait.<\/span>\n<\/p>\n

\nThey might be here all day.<\/span>\n<\/p>\n

\nI’ll wait.<\/span>\n<\/p>\n

\nAll right. Okay. I’ll call when it’s clear.<\/span>\n<\/p>\n

\nPike could tell Chen wasn’t comfortable with him being out here, but Pike didn’t care about that or how long he might have to wait. Chen reemerged from his wagon and slouched back to the house, shooting nervous glances at Pike over his shoulder.<\/span>\n<\/p>\n

\nPike got out of his Jeep, pulled on a pair of spare jeans and a plain green windbreaker so he would be less memorable, then climbed back behind the wheel. He studied Frank’s house. A sloping front lawn led to a two-story brick home with a steep slate roof, surrounded by elm trees and feathery hedges. The house looked stable, traditional, and strong, and was suited to the Frank Pike knew. Pike liked that. Frank had done all right for himself.<\/span>\n<\/p>\n

\nAfter a while, a man and woman who were likely the West L. A. detectives came down the drive, got into the unmarked sedan, and drove away. Chen called as Pike watched them.<\/span>\n<\/p>\n

\nYou still out there?<\/span>\n<\/p>\n

\nYes.<\/span>\n<\/p>\n

\nI’ll come get you. We won’t have much time.<\/span>\n<\/p>\n

\nPike met Chen on the sidewalk, then followed him to the house. The two uniforms appeared to be dozing, and no one was visible in the media van. Neither of them spoke until they reached the front door, when Chen handed Pike a pair of blue paper booties.<\/span>\n<\/p>\n

\nGotta put these over your shoes, okay?<\/span>\n<\/p>\n

\nThey slipped on the booties, then stepped into a large circular entry with a winding staircase up to the second floor. A towering grandfather clock stood guard at the stair, standing tall over a rusty crust of blood footprints that dotted the floor.<\/span>\n<\/p>\n

\nPike felt odd, entering Frank’s home, as if he were intruding into a place where it was understood he would never be welcomed. He had glimpsed Frank’s life from the outside, but never from within. He had never met Cindy, or the boys, and now here he was in their home. Pike heard movement upstairs, and Chen glanced toward the sound.<\/span>\n<\/p>\n

\nThat’s another criminalist, Amy Slovak. She’ll be up there a while.<\/span>\n<\/p>\n

\nPike followed Chen through the entry to a large, open family room adjoining a dining area. An irregular pool of drying blood covered the floor midway between the dining table and the hall. Bright green yarn had been stretched from the blood pool to two metal stands in the living room, two strands to one of the stands, a single strand to the other. These stands marked the probable location of the shooters. A jumble of footprints crossed and crisscrossed the drying pool where one or more of the shooters had walked through the blood. A second, smaller stain was visible across the family room.<\/span>\n<\/p>\n

\nChen nodded toward the big stain at their feet.<\/span>\n<\/p>\n

\nMr. Meyer was here. His wife and one of the boys there by the French doors. The nanny was in her room. I can give you a pretty good take on how it unfolded.<\/span>\n<\/p>\n

\nA blue three-ring binder was open on a nearby table where Chen had been making sketches. He flipped to a scaled floor plan showing the location and position of the bodies, along with recovered shell casings.<\/span>\n<\/p>\n

\nThe family was probably having dinner when the shooters broke in. You saw the door. Bam, they scared the shit out of everybody. Meyer probably advanced on them, brief struggle, boom, boom, he had cuts on his face like they hit him with a hard object, probably a gun, and that’s when they killed him.<\/span>\n<\/p>\n

\nPike studied the three strands of yarn.<\/span>\n<\/p>\n

\nThey shot him three times?<\/span>\n<\/p>\n

\nYeah, once high on his hip, once in the side, and once in his back. Two shooters, like they were trying to put him down fast. This suggests he was fighting. The others were shot once in the forehead at close range, which suggests a deliberate execution.<\/span>\n<\/p>\n

\nThe others. Cindy and the boys.<\/span>\n<\/p>\n

\nThe ugly stain where Meyer bled out looked like the Salton Sea. Meyer had been a good fighter. He had superb training and great instincts, else Pike would never have made him part of his team.<\/span>\n<\/p>\n

\nHow many men all together?<\/span>\n<\/p>\n

\nFour, which makes this one a little different. The earlier invasions, there were only three guys. They added a fourth.<\/span>\n<\/p>\n

\nFour guns?<\/span>\n<\/p>\n

\nLooks like, but we’re still running the casings and bullets. It’s the shoe prints. We’ve got four distinct shoe prints.<\/span>\n<\/p>\n

\nPike glanced at the black smudges on door jambs and handles.<\/span>\n<\/p>\n

\nFingerprints?<\/span>\n<\/p>\n

\nGloves. We didn’t get anything from the earlier crime scenes, either. No identifying prints, no DNA, no nothing except the shoes. C’mon, I’ll show you where we found the nanny.<\/span>\n<\/p>\n

\nChen led Pike across the dining room, through the kitchen, then past the laundry room to a tiny bedroom where the door and jamb were split.<\/span>\n<\/p>\n

\nSee how they crunched the door? It was locked. She was probably trying to hide.<\/span>\n<\/p>\n

\nChen glanced at his notes.<\/span>\n<\/p>\n

\nAna Markovic, age twenty. Two shots close range, one in the face, one in the chest, two casings here in the room. Both nine-millimeter. Did I mention that?<\/span>\n<\/p>\n

\nNo.<\/span>\n<\/p>\n

\nThese guys used nines. All the bullets and casings we found, nines.<\/span>\n<\/p>\n

\nThe room was a small place to die, filled by a bed and a table, with only a casement window for light. Pictures of a smiling young woman hugging Frank’s boys were taped over the desk, part of a birthday card the kids had made of construction paper. We love Ana.<\/span>\n<\/p>\n

\nPike said, Her?<\/span>\n<\/p>\n

\nUh-huh. An au pair.<\/span>\n<\/p>\n

\nSmears of blood on the floor and the door indicated she tried to crawl away after being shot.<\/span>\n<\/p>\n

\nPike said, Did she describe them?<\/span>\n<\/p>\n

\nUh-uh. She was unconscious when the uniforms found her. They got her over to UCLA, but she’s not going to make it.<\/span>\n<\/p>\n

\nPike stared at the streaks of blood. It was easy to imagine her outstretched hand.<\/span>\n<\/p>\n

\nDoes Terrio have any suspects?<\/span>\n<\/p>\n

\nNo one we’ve identified. If he has someone from the other side, I couldn’t tell you. They haven’t issued any warrants.<\/span>\n<\/p>\n

\nSID was the science side. The other side was shoe leather, whatever detectives turned from informants and witnesses.<\/span>\n<\/p>\n

\nHow many people have they killed?<\/span>\n<\/p>\n

\nFour. If the nanny dies, five.<\/span>\n<\/p>\n

\nNot here, John. All together.<\/span>\n<\/p>\n

\nEleven. Hey, that’s why they set up a task force. They’re using divisional dicks from all over the city.<\/span>\n<\/p>\n

\nChen suddenly glanced at his watch, looking uncomfortable.<\/span>\n<\/p>\n

\nListen, I gotta get busy. Those dicks are coming back.<\/span>\n<\/p>\n

\nPike followed Chen back to the dining room, but he still wasn’t ready to leave.<\/span>\n<\/p>\n

\nPike said, Let me see the pictures.<\/span>\n<\/p>\n

\nCriminalists, coroner investigators, and homicide detectives photo-documented everything. Chen would have photographed the scene before he made the sketches.<\/span>\n<\/p>\n

\nBro, these people were your friends. You sure?<\/span>\n<\/p>\n

\nLet me see.<\/span>\n<\/p>\n

\nChen went to his case and returned with a black digital camera. He scrolled through the images until he found what he wanted, then held it so Pike could see.<\/span>\n<\/p>\n

\nThe image was tiny, but Pike saw Frank splayed on the floor. He was on his back, his left leg straight and right leg cocked to the side, floating in a pool of deep red that shined with the flash. Pike had wanted to see if the red arrows were inked on his arms like Deets said, but Frank was wearing a long-sleeved shirt, rolled to his forearms.<\/span>\n<\/p>\n

\nI want to see his face. Can you zoom it?<\/span>\n<\/p>\n

\nChen adjusted the picture, then held out the camera again. Frank was cut beneath his right eye in two places, indicating he had been hit more than once. Pike wondered if Frank had been trying to disarm the man or men closest to him when the men across the room shot him.<\/span>\n<\/p>\n

\nPike said, Was a time, he would have beat them.<\/span>\n<\/p>\n

\nChen said, What?<\/span>\n<\/p>\n

\nPike felt embarrassed for saying it, so he didn’t answer.<\/span>\n<\/p>\n

\nYou want to see the wife and kids?<\/span>\n<\/p>\n

\nNo.<\/span>\n<\/p>\n

\nChen looked relieved.<\/span>\n<\/p>\n

\nYou knew him pretty well?<\/span>\n<\/p>\n

\nYes.<\/span>\n<\/p>\n

\nWhat was he holding?<\/span>\n<\/p>\n

\nFrank wasn’t a criminal.<\/span>\n<\/p>\n

\nAll the other vics in the string were dirty. That’s part of the pattern.<\/span>\n<\/p>\n

\nNot Frank.<\/span>\n<\/p>\n

\nChen read something in Pike’s voice.<\/span>\n<\/p>\n

\nSorry. They probably made a mistake. Assholes like this, they probably hit the wrong house.<\/span>\n<\/p>\n

\nYes, Pike said. They made a mistake.<\/span>\n<\/p>\n

\nListen, I gotta get back to work. I gotta get you outta here.<\/span>\n<\/p>\n

\nPike followed the hall back to the front door, but he did not immediately leave. On the way in, they had passed what appeared to be a home office.<\/span>\n<\/p>\n

\nPhotographs of Frank and his family hung on the walls. Movie posters from The Magnificent Seven, Shane, and the original Star Wars, Frank’s three favorite films. Frank used to joke he was a Jedi. He called Pike Yoda.<\/span>\n<\/p>\n

\nPike studied the pictures, comparing the Frank he had known with the Frank who had lived in this house. When Pike met Frank for the first time, Frank was fresh out of eight years in the Marine Corps, having seen service in Central America and the Middle East. Frank had been young and lean, but had the chunky build of a kid who would put on weight quickly if he stopped working out. The Frank in these pictures had gained weight, but looked happy and safe.<\/span>\n<\/p>\n

\nPike found a picture of Frank and Cindy, then moved to a picture of Frank and Cindy with the two boys. Cindy was squat and sturdy, with short brown hair, happy eyes, and a crooked nose that made her pretty. Pike studied more pictures. The two boys, then the four of them together, father, mother, children, family.<\/span>\n<\/p>\n

\nPike moved through the office until he came to a space on a shelf with an empty frame. The frame was the right size for the El Salvador picture.<\/span>\n<\/p>\n

\nPike took a breath, let it out, then found Chen back in the dining room.<\/span>\n<\/p>\n

\nShow me his family.<\/span>\n<\/p>\n

\nYou want to see what they did to his wife and his kids?<\/span>\n<\/p>\n

\nPike wanted to see. He wanted to fix them in his mind, and have them close when he found the men who killed them.<\/span>\n<\/p>\n

\nPIKE LIVED ALONE IN a two-bedroom condo in Culver City. He drove home, then stripped and showered away the sweat. He let hot water beat into him, then turned on the cold. Pike didn’t flinch when the icy water fired his skin. He rubbed the cold over his face and scalp, and stayed in the cold much longer than the hot, then toweled himself off.<\/span>\n<\/p>\n

\nBefore he dressed, he looked at himself in the mirror. Pike was six foot one. He weighed two hundred five pounds. He had been shot seven times, hit by shrapnel on fourteen separate occasions, and stabbed or cut eleven times. Scars from the wounds and resulting surgeries mapped his body like roads that always came back to the same place. Pike knew exactly which scars had been earned when he worked with Frank Meyer.<\/span>\n<\/p>\n

\nPike leaned close to the mirror, examining each eye. Left eye, right eye. The scleras were clear and bright, the irises a deep, liquid blue. The skin surrounding the eyes was lined from squinting into too many suns. Pike’s eyes were sensitive to light, but his visual acuity was amazing. 20\/11 in his left eye, 20\/12 in his right. They had loved that in sniper school.<\/span>\n<\/p>\n

\nPike dressed, then put on his sunglasses.<\/span>\n<\/p>\n

\nYoda.<\/span>\n<\/p>\n

\nLunch was leftover Thai food nuked in the microwave. Tofu, cabbage, broccoli, and rice. He drank a liter of water, then washed the one plate and fork while thinking about what he had learned from Chen and Terrio, and how he could use it.<\/span>\n<\/p>\n

\nJumping Pike in broad daylight on a residential street to ask a few questions was a panic move. This confirmed that after three months, seven invasions, and eleven homicides, Terrio had not developed enough evidence to initiate an arrest. But a lack of proof did not necessarily mean a lack of suspects or usable information, what Chen had called shoe leather information. Professional home invasion crews almost always comprised career criminals who did violent crime for a living. If caught, they would be off the streets for the period of their incarceration, but would almost always commit more crimes when released. Experienced investigators like Terrio knew this, and would compare the date of the original robbery to release dates of criminals with a similar history, trying to identify high-probability suspects. Pike wanted to know what they had.<\/span>\n<\/p>\n

\nPike went upstairs to his bedroom closet, opened his safe, and took out a list of telephone numbers. The numbers were not written as numbers, but as an alphanumeric code. Pike found the number he wanted, then brought it downstairs, sat on the floor with his back to the wall, and made the call.<\/span>\n<\/p>\n

\nJon Stone answered on the second ring, the sound of old-school N. W. A pounding loud behind him. Stone must have recognized Pike’s number on the caller ID.<\/span>\n<\/p>\n

\nWell. Look who it is.<\/span>\n<\/p>\n

\nGot a couple of questions.<\/span>\n<\/p>\n

\nHow much will you pay for a couple of answers?<\/span>\n<\/p>\n

\nJon Stone was a talent agent for professional military contractors. Stone used to be a PMC himself, but now placed talent with the large private military corporations and security firms favored by Washington and corporate America. Safer that way, and much more profitable.<\/span>\n<\/p>\n

\nPike didn’t respond, and after a while the N. W. A was turned down.<\/span>\n<\/p>\n

\nStone said, Tell you what, let’s table that for now. You go ahead, ask, we’ll see what develops.<\/span>\n<\/p>\n

\nRemember Frank Meyer?<\/span>\n<\/p>\n

\nFearless Frank, my man on the tanks? Sure.<\/span>\n<\/p>\n

\nHas Frank been working?<\/span>\n<\/p>\n

\nFrank was one of your guys. You tell me.<\/span>\n<\/p>\n

\nHas he been on the market?<\/span>\n<\/p>\n

\nHe retired ten years ago, at least.<\/span>\n<\/p>\n

\nSo you haven’t heard any rumors?<\/span>\n<\/p>\n

\nLike what?<\/span>\n<\/p>\n

\nLike Frank getting involved with people you wouldn’t expect.<\/span>\n<\/p>\n

\nJon snorted.<\/span>\n<\/p>\n

\nFearless Frank? Get control of yourself.<\/span>\n<\/p>\n

\nHe didn’t like being called Fearless Frank. It made him uncomfortable.<\/span>\n<\/p>\n

\nStone lapsed into silence, probably embarrassed, and Pike went on.<\/span>\n<\/p>\n

\nLess than two hours ago, a police detective named Terrio told me Frank was dirty. He believes Frank was using his import business for something illegal.<\/span>\n<\/p>\n

\nWhy was a cop talking about Frank?<\/span>\n<\/p>\n

\nFrank and his family were murdered.<\/span>\n<\/p>\n

\nStone was silent for a time, and when he spoke again, his voice was low.<\/span>\n<\/p>\n

\nFor real?<\/span>\n<\/p>\n

\nA robbery crew broke into their home two nights ago. Frank, his wife, their kids. They zero in on targets with a cash payoff, dope dealers, money launderers, like that. Frank wasn’t their first.<\/span>\n<\/p>\n

\nI’ll ask around, I guess. I can’t believe Frank went wrong, but I’ll ask.<\/span>\n<\/p>\n

\nAnother thing. You have juice with Fugitive Section or Special Investigations?<\/span>\n<\/p>\n

\nNow Stone grew wary.<\/span>\n<\/p>\n

\nWhy?<\/span>\n<\/p>\n

\nYou know why, Jon. If Terrio’s task force has any suspects, Fugitive Section or SIS will be trying to find them. I want to know what they have.<\/span>\n<\/p>\n

\nFugitive Section detectives specialized in tracking down and apprehending wanted felons in high-risk situations. Special Investigation Section were elite operators who ran long-term, covert surveillance on criminals suspected of committing violent serial crime. With their expertise, skill, and experience, retired Fugitive Section and SIS operators commanded top dollar at private security firms, and Jon Stone had placed more than a few into fat corporate jobs.<\/span>\n<\/p>\n

\nStone hesitated, and Pike listened to the N. W. A tracks behind him, back in the day before Ice Cube went legit.<\/span>\n<\/p>\n

\nC’mon, Jon. You have ins with those guys.<\/span>\n<\/p>\n

\nStone cleared his throat, sounding uncomfortable.<\/span>\n<\/p>\n

\nI might have a friend who has a friend. I’m just saying, is all.<\/span>\n<\/p>\n

\nI need this information before they make an arrest.<\/span>\n<\/p>\n

\nStone lapsed into another silence, and now seemed thoughtful when he spoke.<\/span>\n<\/p>\n

\nI guess you would, then, Joseph.<\/span>\n<\/p>\n

\nFrank was one of my guys.<\/span>\n<\/p>\n

\nListen, that business about Frank, I have an idea. Ask Lonny. Lonny might know.<\/span>\n<\/p>\n

\nLonny Tang. The man who had taken the picture in El Salvador. Thirteen days later, on a job in Kuwait, Frank Meyer would save Lonny Tang’s life on what would turn out to be Lonny’s last job.<\/span>\n<\/p>\n

\nPike said, Why would Lonny know?<\/span>\n<\/p>\n

\nFrank kept in touch with him. You didn’t know? He sent Lonny Christmas cards, stuff like that. I’ll bet you ten bucks his wife never knew.<\/span>\n<\/p>\n

\nPike didn’t respond because Pike hadn’t known, either. He hadn’t spoken with Lonny in years, and Frank even longer. Stone went on, finishing his idea.<\/span>\n<\/p>\n

\nIf Frank was mixed up in something, he’d tell Lonny if he was gonna tell anyone.<\/span>\n<\/p>\n

\nThat’s a good idea, asking Lonny. I will.<\/span>\n<\/p>\n

\nYou gotta set it up through his lawyer. You want the number?<\/span>\n<\/p>\n

\nI have it.<\/span>\n<\/p>\n

\nI’ll let you know about the other thing after I talk to my guys.<\/span>\n<\/p>\n

\nThanks, Jon. How much do I owe you?<\/span>\n<\/p>\n

\nStone cranked up the N. W. A. Something about guns in Compton. Something about making a muthuhfucka pay.<\/span>\n<\/p>\n

\nForget it. Frank was one of my guys, too.<\/span>\n<\/p>\n

\nPike lowered the phone, thought over what he needed to do, then raised the phone again. Pike owned a small gun shop not far from his condo. He had five employees who were expecting him that afternoon.<\/span>\n<\/p>\n

\nGun shop. This is Sheila. May I help you?<\/span>\n<\/p>\n

\nSheila Lambert was a retired FBI agent who worked part-time at the store.<\/span>\n<\/p>\n

\nMe. Everything good?<\/span>\n<\/p>\n

\nYeah, we’re groovy. What’s up?<\/span>\n<\/p>\n

\nI won’t be in this afternoon. That okay?<\/span>\n<\/p>\n

\nNot a problem. You wanna speak with Ronnie?<\/span>\n<\/p>\n

\nRonnie managed Pike’s store.<\/span>\n<\/p>\n

\nJust pass the word. If he needs me, I’m on the cell.<\/span>\n<\/p>\n

\nRoger that.<\/span>\n<\/p>\n

\nPike hung up, cleared two other appointments he had that afternoon, then called Lonny Tang’s attorney, a man named Carson Epp.<\/span>\n<\/p>\n

\nPike said, I need to speak with him. Can you set it up?<\/span>\n<\/p>\n

\nHow soon?<\/span>\n<\/p>\n

\nSoon. It’s a family emergency.<\/span>\n<\/p>\n

\nMay I tell him what this is about?<\/span>\n<\/p>\n

\nPike decided Lonny should hear about Frank from him, and not Epp or someone else. Lonny had been one of Pike’s guys, too.<\/span>\n<\/p>\n

\nFrank the Tank.<\/span>\n<\/p>\n

\nFrank the Tank?<\/span>\n<\/p>\n

\nHe’ll know. Let me give you my cell.<\/span>\n<\/p>\n

\nPike gave him his number, then lowered the phone, thinking he couldn’t wait for Stone to come up with something Terrio might or might not have developed. He wondered if Ana Markovic was still alive, and if she had managed to speak. Chen said she hadn’t, but Chen was only repeating what he had heard from the cops, and the cops would have left as soon as a doctor told them she was not going to wake up. Pike wanted to talk to the nurses. Even unconscious, she might have mumbled something after the cops were gone. A word or a name could give him an edge. Pike wanted the edge.<\/span>\n<\/p>\n

\nPike changed into a pale blue dress shirt to make himself presentable, then bought a bouquet of daisies and drove to the hospital.<\/span>\n<\/p>\n

\nTHE INTENSIVE CARE UNIT was on the sixth floor of the UCLA Medical Center. Pike stepped out of the elevator and followed signs to an octagonal command post at the end of a hall lined by glass-walled rooms. Curtains could be pulled for privacy, but most of the rooms were open so the staff could see the patients from the hall.<\/span>\n<\/p>\n

\nPike walked the length of the hall checking for officers, but any officers who had been present were gone. He returned to the nurses’ station, and waited until a harried female nurse turned to him. Her name tag read BARBARA FARNHAM.<\/span>\n<\/p>\n

\nMay I help you?<\/span>\n<\/p>\n

\nPike and his dress shirt held out the flowers.<\/span>\n<\/p>\n

\nAna Markovic.<\/span>\n<\/p>\n

\nThe nurse’s expression softened when she saw the daisies.<\/span>\n<\/p>\n

\nI’m sorry. Are you a relative?<\/span>\n<\/p>\n

\nI know the family.<\/span>\n<\/p>\n

\nWe limit our visitors in ICU, only one person at a time, and then only for a few minutes. Her sister’s here now, but I’m sure she wouldn’t mind.<\/span>\n<\/p>\n

\nPike nodded.<\/span>\n<\/p>\n

\nRoom twelve, but you can’t leave the flowers. If a patient has an allergic reaction, it could weaken their immune system.<\/span>\n<\/p>\n

\nPike had expected this, and handed over the flowers. The nurse admired them as she placed them on the counter.<\/span>\n<\/p>\n

\nPretty. I like daisies. You can pick them up when you leave or we can send them to another part of the hospital. We usually send them to Maternity.<\/span>\n<\/p>\n

\nBefore I see her, I’d like to speak with her primary nurse. Is that possible?<\/span>\n<\/p>\n

\nWell, that’s all of us, really. We work as a team.<\/span>\n<\/p>\n

\nThe police told me she wasn’t able to make a statement when they found her. I was wondering if she came around after surgery.<\/span>\n<\/p>\n

\nNo, I’m sorry, she hasn’t.<\/span>\n<\/p>\n

\nI don’t mean a conversation. Maybe she mumbled a name. Said something that might help the police.<\/span>\n<\/p>\n

\nThe nurse looked sympathetic.<\/span>\n<\/p>\n

\nYou’ll understand when you see her. She’s unconscious and completely uncommunicative.<\/span>\n<\/p>\n

\nWould you ask the other nurses?<\/span>\n<\/p>\n

\nI’ll ask, but I’m sure she hasn’t spoken.<\/span>\n<\/p>\n

\nA light mounted outside a nearby door came on, drawing the nurse’s attention.<\/span>\n<\/p>\n

\nRoom twelve. Only for a few minutes, all right?<\/span>\n<\/p>\n

\nThe nurse hurried away, so Pike went down the hall to room twelve. Like the other rooms, the door was open and the drape pulled back so the nurses could see the patient. Pike expected to find the sister, but room twelve was empty except for the bandaged figure in the bed.<\/span>\n<\/p>\n

\nPike hesitated at the door, wondering how far he should take this, then went to the bed. The left side of Ana’s face and head were hidden beneath heavy bandages, but the right half of her face was visible. She seemed to be trying to open her eye. Her eyelid would lift, the eye beneath would drift and roll, then the eyelid would close.<\/span>\n<\/p>\n

\nPike knew she had not spoken as soon as he saw her, and thought it unlikely she would regain consciousness. The shape of the bandage on her head suggested a bullet had entered beneath her left eye, angling away from the midline. The way the visible part of her face was swollen and discolored suggested bone fragments from the maxilla had exploded into her sinuses, mouth, and eye like shrapnel. The pain would have been excruciating. Pike lifted the sheet enough to see the incisions taped across her chest and abdomen, which were still orange from the Betadine solution used to clean the area. He lowered the sheet, and tucked it beneath her. The upper chest wound had done the most damage. The bullet had likely deflected off her ribs or clavicle, and punched down through the diaphragm into her abdomen. Between the time she was shot and the time she was wheeled into surgery, her left lung had collapsed, the chest cavity had filled with blood, and the blood had drained through the diaphragm into her abdomen. As she lost blood, her blood pressure dropped until it was so low her organs began shutting down, like a car engine without enough oil. A car engine without oil will run, but the engine will damage itself. Let it run long enough, you can replenish the oil all you want, but the damage will have been done, and the engine will die. Ana Markovic had bled out internally, and now she was dying.<\/span>\n<\/p>\n

\nPike had seen men die this way before, and knew if this young woman was ever going to offer what she had seen, she would have to offer it soon.<\/span>\n<\/p>\n

\nPike said, Ana?<\/span>\n<\/p>\n

\nHer visible eye flagged, rolled, drooped.<\/span>\n<\/p>\n

\nPike touched her cheek.<\/span>\n<\/p>\n

\nAna, we need your help.<\/span>\n<\/p>\n

\nThe eye rolled, then drooped again, an autonomic move without conscious thought.<\/span>\n<\/p>\n

\nPike took her hand. He stroked it, then pinched the soft flesh between her thumb and index finger.<\/span>\n<\/p>\n

\nWhat did they look like?<\/span>\n<\/p>\n

\nShe did not respond.<\/span>\n<\/p>\n

\nWho shot you?<\/span>\n<\/p>\n

\nA rigid female voice cut him from behind.<\/span>\n<\/p>\n

\nMove away from her.<\/span>\n<\/p>\n

\nPike calmly turned. A woman in her late twenties who was probably the sister stood framed in the door. Eyes like flint chips, black hair pulled tight, and a pronounced East European accent.<\/span>\n<\/p>\n

\nPike said, I was trying to wake her.<\/span>\n<\/p>\n

\nLeave go her hand, and move away.<\/span>\n<\/p>\n

\nShe wore a suede jacket over designer jeans and cradled an oversized leather shoulder bag with one hand. The other hand was inside the bag, and ominously still.<\/span>\n<\/p>\n

\nPike placed Ana’s hand on the bed.<\/span>\n<\/p>\n

\nI’m sorry. I came to see if she was awake. The Meyers were friends of mine.<\/span>\n<\/p>\n

\nThe woman’s eyes narrowed suspiciously.<\/span>\n<\/p>\n

\nThe people she worked for?<\/span>\n<\/p>\n

\nFrank and Cindy. Ana cared for their boys.<\/span>\n<\/p>\n

\nYou know Ana?<\/span>\n<\/p>\n

\nWe never met, no.<\/span>\n<\/p>\n

\nThe woman didn’t soften in any way Pike could see. Her eyes charted his face, his build, his shades, and cropped warrior hair. She didn’t like what she saw. Not even the shirt.<\/span>\n<\/p>\n

\nShe stepped aside to clear the door.<\/span>\n<\/p>\n

\nYou should leave now. They don’t like the visitors.<\/span>\n<\/p>\n

\nHer hand stayed in the purse.<\/span>\n<\/p>\n

\nPike said, Has she said anything that could help us?<\/span>\n<\/p>\n

\nUs. Now you are the police?<\/span>\n<\/p>\n

\nI misspoke. A name. A word. Something that could identify the people who did this.<\/span>\n<\/p>\n

\nI think you go. She tells us who did this thing, I will tell the police.<\/span>\n<\/p>\n

\nPike considered her for a moment, then went to the door.<\/span>\n<\/p>\n

\nI understand. I’m sorry about your sister.<\/span>\n<\/p>\n

\nThe woman edged further to the side as Pike left. He glanced back, and saw her watching from the door as if sizing him for a coffin. He glanced again when he reached the nurses’ station, but this time she was gone.<\/span>\n<\/p>\n

\nPike waited at the station until Barbara Farnham returned, then asked if she had checked with the other nurses. She had, but all of them had responded the same. Ana Markovic had made no sounds, nor shown any signs of recovery.<\/span>\n<\/p>\n

\nI’m sorry, but you’ve seen her. I wish I could be more optimistic for you.<\/span>\n<\/p>\n

\nThanks for checking.<\/span>\n<\/p>\n

\nWhen Pike reached the elevator, Ana’s sister was waiting. He nodded, but she looked away. The elevator arrived with three other people aboard, so they rode down in silence, Pike on one side, Ana’s sister on the other.<\/span>\n<\/p>\n

\nThe sister exited the elevator first, but stopped at a lobby newsstand as Pike continued to the parking structure. He saw her watching as he passed, and caught her reflection in a wall of glass when she followed him.<\/span>\n<\/p>\n

\nPike crossed to the parking garage, then stopped on the ground floor for the elevator. Pike always took the stairs no matter how many flights he had to climb, but now he waited for the elevator. He was not surprised when Ana’s sister stepped up beside him.<\/span>\n<\/p>\n

\nThis time, she made a tight smile.<\/span>\n<\/p>\n

\nWe are destined to see each other.<\/span>\n<\/p>\n

\nPike said, Yes.<\/span>\n<\/p>\n

\nThe elevator was empty when it opened. No one else waited to board. Pike held the door, letting her go first. The woman stepped aboard, and moved to the back corner. Pike followed her, as certain of what she was about to do as if he could see it on a Sunset Boulevard billboard. Her hand was still in her purse.<\/span>\n<\/p>\n

\nPike said, Which level?<\/span>\n<\/p>\n

\nThree.<\/span>\n<\/p>\n

\nAs the doors closed, her hand came out of the purse with a small black gun that Pike twisted away even before she raised it. She swung at him, trying to hit, but Pike caught her arm, careful not to break it. She tried to knee him, but he leaned in just enough to pin her with his hip. He pulled the button to stop the elevator. A loud buzzer went off, but not for long.<\/span>\n<\/p>\n

\nI didn’t come here to hurt her.<\/span>\n<\/p>\n

\nShe was trapped. Breathing hard, eyes cut to slits, she looked like she wanted to rip his throat with her teeth.<\/span>\n<\/p>\n

\nPike said, Calm down. Look.<\/span>\n<\/p>\n

\nKeeping her pinned, he one-handed the clip from the pistol, and jacked the slide to clear the chamber. A nice little Ruger .380.<\/span>\n<\/p>\n

\nPike kept his voice calm and measured.<\/span>\n<\/p>\n

\nYou see? I wasn’t one of the men who killed them.<\/span>\n<\/p>\n

\nHe stepped away, raising his hands.<\/span>\n<\/p>\n

\nFrank Meyer was my friend.<\/span>\n<\/p>\n

\nPike held out the unloaded gun.<\/span>\n<\/p>\n

\nYou see?<\/span>\n<\/p>\n

\nShe straightened herself, maybe embarrassed, but maybe not altogether convinced. She clutched the gun with both hands, her back pressed to the wall.<\/span>\n<\/p>\n

\nHow did you find her?<\/span>\n<\/p>\n

\nThe police told me.<\/span>\n<\/p>\n

\nThose bastards might find her, too. What if they come to kill her?<\/span>\n<\/p>\n

\nSo you’re standing guard?<\/span>\n<\/p>\n

\nThey leave her here with no one! I do what I have to do.<\/span>\n<\/p>\n

\nPike’s phone vibrated, so loud in the closed space she glanced toward his pocket. Pike would have ignored it, but he was expecting Carson Epp, and that’s who it was. Pike took the call, staring at her as he spoke.<\/span>\n<\/p>\n

\nPike.<\/span>\n<\/p>\n

\nI will have Lonny on the line in twenty minutes. Will you be able to take it?<\/span>\n<\/p>\n

\nYes.<\/span>\n<\/p>\n

\nTwenty.<\/span>\n<\/p>\n

\nPike returned the phone to his pocket, then tipped his head at her pistol.<\/span>\n<\/p>\n

\nPut it away.<\/span>\n<\/p>\n

\nShe put the Ruger into her purse. Pike added the clip and the loose cartridge, then offered his hand.<\/span>\n<\/p>\n

\nMy name is Pike.<\/span>\n<\/p>\n

\nShe stared at him, the dark eyes remaining suspicious. Her cheekbones were high and prominent, her cheeks were lean, and a small scar capped the bridge of her nose where she had been cut as a child. Pike’s hand had been cooked dark by the sun, but her skin was pale as milk.<\/span>\n<\/p>\n

\nShe gripped his hand quickly.<\/span>\n<\/p>\n

\nPale and warm, but hard underneath.<\/span>\n<\/p>\n

\nShe said, Rina.<\/span>\n<\/p>\n

\nKarina.<\/span>\n<\/p>\n

\nYes.<\/span>\n<\/p>\n

\nRussian?<\/span>\n<\/p>\n

\nSerbian.<\/span>\n<\/p>\n

\nLeave the gun home. They won’t come here. Their risk would be larger than the chance she could identify them. They know that, so they won’t take the chance. The police know the same thing, which is why they didn’t post a guard.<\/span>\n<\/p>\n

\nHer eyes narrowed again, mapping him like before.<\/span>\n<\/p>\n

\nYou are not a policeman?<\/span>\n<\/p>\n

\nFrank was my friend.<\/span>\n<\/p>\n

\nThe elevator buzzed again, anxious to move.<\/span>\n<\/p>\n

\nPike said, Which floor?<\/span>\n<\/p>\n

\nHere. I am not parked in this building.<\/span>\n<\/p>\n

\nPike reached for the button to open the door.<\/span>\n<\/p>\n

\nWhen we got on, what were you going to do, shoot me?<\/span>\n<\/p>\n

\nI thought you might be one of them. If you were, then, yes, I would have shot you.<\/span>\n<\/p>\n

\nPike opened the door. A round man got on as Rina Markovic stepped off.<\/span>\n<\/p>\n

\nShe said, Perhaps someone will find these bastards, yes?<\/span>\n<\/p>\n

\nSomeone will find them. Yes.<\/span>\n<\/p>\n

\nShe studied him for a moment as if taking his measure, and Pike thought her eyes were haunted.<\/span>\n<\/p>\n

\nI am sorry for your friend. I think many families have been lost by this.<\/span>\n<\/p>\n

\nShe walked away as the door closed. Pike took the elevator up to his Jeep. He took off the blue dress shirt, slipped on the sleeveless gray sweatshirt, then wound his way down to the exit.<\/span>\n<\/p>\n

\nEight minutes later, he was in a Best Buy parking lot when Lonny Tang called.<\/span>\n<\/p>\n

\nPIKE WAS WATCHING UCLA students cut between cars on their way home from campus, not far from Frank Meyer’s home, when his phone finally vibrated, three minutes late.<\/span>\n<\/p>\n

\nPike said, I’m here.<\/span>\n<\/p>\n

\nCarson Epp said, Lonny, can you hear him okay?<\/span>\n<\/p>\n

\nLonny’s voice was high-pitched and soft.<\/span>\n<\/p>\n

\nYeah, I hear him fine. Hey, Joe.<\/span>\n<\/p>\n

\nEpp said, I’m going to hang up now. That will leave the two of you on the line. Lonny, when you’re finished, just hang up. I’ll check back with you to make sure everything is all right.<\/span>\n<\/p>\n

\nOkay. Thanks, Carson.<\/span>\n<\/p>\n

\nRighto, then.<\/span>\n<\/p>\n

\nPike heard a click as Epp left the line, then the hush of Lonny Tang’s voice.<\/span>\n<\/p>\n

\nMust be bad, you calling like this.<\/span>\n<\/p>\n

\nPike didn’t know how else to say it, so he gave it to Lonny head-on.<\/span>\n<\/p>\n

\nFrank’s dead. He was murdered two nights ago. Frank and his family.<\/span>\n<\/p>\n

\nLonny was silent on the other end, but then Pike heard a gentle sobbing. Pike let him cry. If any of them had a right to cry, it was Lonny.<\/span>\n<\/p>\n

\nLonny said, Sorry. I don’t mean to carry on.<\/span>\n<\/p>\n

\nIt’s okay.<\/span>\n<\/p>\n

\nLonny got himself together and cleared his throat.<\/span>\n<\/p>\n

\nThanks for letting me know. I appreciate it, Joe. The bastard who did it, they get him?<\/span>\n<\/p>\n

\nNot yet. The police think it’s a home invasion crew. Frank’s house was the seventh home they’ve hit.<\/span>\n<\/p>\n

\nLonny cleared his throat again.<\/span>\n<\/p>\n

\nOkay, well, I don’t know what to say. When they get these pricks, will you let me know?<\/span>\n<\/p>\n

\nI have to ask you something.<\/span>\n<\/p>\n

\nWhat’s that?<\/span>\n<\/p>\n

\nThis crew, they work on good intelligence. Their first six targets were all people like dope dealers and money cleaners. You see where I’m going?<\/span>\n<\/p>\n

\nFrank had an import business. He imported clothes.<\/span>\n<\/p>\n

\nIf Frank was importing something else, he was in business with someone who gave him up. That person knows who killed him.<\/span>\n<\/p>\n

\nYou think I’m holding out on you, Joe?<\/span>\n<\/p>\n

\nI don’t know.<\/span>\n<\/p>\n

\nThis is Frank, man. Are you serious?<\/span>\n<\/p>\n

\nDid he tell you something I should know?<\/span>\n<\/p>\n

\nLonny was quiet for a while, breathing, and his voice was calm.<\/span>\n<\/p>\n

\nHe came to my trial. Not every day, but a couple of times. This once, I asked him if he was sorry he saved me, you know, because if he hadn’t saved me, those men I murdered would still be alive. So I asked if he regretted it. He told me guys like us had each other’s back, so he had my back. He didn’t have any choice.<\/span>\n<\/p>\n

\nWay it was, Lonny. What would you expect him to say?<\/span>\n<\/p>\n

\nI know. I just wanted to hear it, I guess, that I still meant something to someone, and wasn’t just a murdering piece of shit.<\/span>\n<\/p>\n

\nPike remained silent, which spurred Lonny to laugh.<\/span>\n<\/p>\n

\nThanks for chiming in there, boss. Appreciate the support.<\/span>\n<\/p>\n

\nLonny suddenly burst out laughing, but the laughter shivered into a sob.<\/span>\n<\/p>\n

\nLonny said, Shit. I’m sorry.<\/span>\n<\/p>\n

\nC’mon, Lonny, yes or no. Did Frank tell you he was into something? Maybe ask about certain people or say something that left you wondering?<\/span>\n<\/p>\n

\nYou think if I could help get the pricks who killed him, I wouldn’t be all over it? I’d kill those fuckers myself.<\/span>\n<\/p>\n

\nYou’re sure?<\/span>\n<\/p>\n

\nYes. He was the same Frank we knew. Being an Eagle Scout was in his frakkin’ DNA.<\/span>\n<\/p>\n

\nPike felt the tightness in his chest ease, feeling a sense of relief.<\/span>\n<\/p>\n

\nOkay, Lon. That’s what I thought, but I had to be sure. You’re the only one he stayed in contact with.<\/span>\n<\/p>\n

\nI know. She drove a hard bargain, that girl.<\/span>\n<\/p>\n

\nCindy.<\/span>\n<\/p>\n

\nPike was finished. He wanted to hang up, but he hadn’t spoken with Lonny in a long time, and now he felt guilty. Lonny Tang had been one of his guys for eleven years, on and off, until Lonny got hurt.<\/span>\n<\/p>\n

\nPike asked the obvious.<\/span>\n<\/p>\n

\nHow you doing in there?<\/span>\n<\/p>\n

\nYou get used to it. Thirteen years to go, I’m on the beach with a smile.<\/span>\n<\/p>\n

\nYou need anything?<\/span>\n<\/p>\n

\nNah. I get all the free meds and medical care I need. I crap blue nuggets and can’t eat spicy foods, but other than that I’m fine.<\/span>\n<\/p>\n

\nOn the day Frank Meyer saved Lonny Tang’s life, an RPG explosion sent a rock the size of a golf ball through Lonny Tang’s abdomen. Lonny lost his left kidney, a foot of large intestine, two feet of small intestine, his spleen, part of his liver, half of his stomach, and his health. He was left with a growing addiction to painkillers and no way to pay for them. The Perco cets led to harder drugs, and finally to a bar in Long Beach, which Lonny robbed. When two longshoremen tried to stop him, Lonny shot and killed the bar’s owner and an innocent bystander. Lonny Tang was arrested less than three hours later, passed out in his car after scoring enough dope to deaden the pain. He was tried on two counts of first-degree murder, convicted, and was currently serving twenty-five years to life at the California State Prison in Corcoran.<\/span>\n<\/p>\n

\nPike didn’t know what else to say, so he decided to tie off the conversation.<\/span>\n<\/p>\n

\nLonny, listen, the police are investigating Frank,<\/span>\n<\/p>\n

\nThey’re not going to find anything.<\/span>\n<\/p>\n

\nWhen they go through his phone records, they’ll see he talked to you.<\/span>\n<\/p>\n

\nI don’t care. I’ll tell’m just what I told you.<\/span>\n<\/p>\n

\nTell them whatever you want about Frank. Don’t tell them about me.<\/span>\n<\/p>\n

\nYou didn’t call me. My lawyer called.<\/span>\n<\/p>\n

\nThat’s right.<\/span>\n<\/p>\n

\nYou going after these people?<\/span>\n<\/p>\n

\nI gotta get going.<\/span>\n<\/p>\n

\nI hear you, brother.<\/span>\n<\/p>\n

\nPike was about to hang up when he remembered something else.<\/span>\n<\/p>\n

\nLonny, you there?<\/span>\n<\/p>\n

\nI’m here. Where else am I going?<\/span>\n<\/p>\n

\nOne more thing. The police told me Frank had my ink.<\/span>\n<\/p>\n

\nYou didn’t know?<\/span>\n<\/p>\n

\nNo.<\/span>\n<\/p>\n

\nThat was years ago, man. This time he came to visit, he showed me. He’d just had’m done.<\/span>\n<\/p>\n

\nThe arrows.<\/span>\n<\/p>\n

\nBig ol’ red arrows like yours. Cindy was livid. She damn near threw him out of the house.<\/span>\n<\/p>\n

\nLonny laughed, but Pike felt embarrassed.<\/span>\n<\/p>\n

\nHe say anything?<\/span>\n<\/p>\n

\nWhy he got them?<\/span>\n<\/p>\n

\nYeah.<\/span>\n<\/p>\n

\nRemember all the shit she gave him about being a contractor, and how she wouldn’t marry him unless he settled down?<\/span>\n<\/p>\n

\nSure.<\/span>\n<\/p>\n

\nThe rest of us were all over him to dump her, what, you’re going to give this chick your balls? But Frank said you told him to go for it. Told him, if he wanted that kind of life, he had to make it happen. He really appreciated that, Joe. It was like you gave him permission.<\/span>\n<\/p>\n

\nPike considered that for a moment.<\/span>\n<\/p>\n

\nWas he happy?<\/span>\n<\/p>\n

\nYeah, brother. Hell, yeah, he was happy. It was like he woke up in someone else’s life. What’s the word? He was content, man.<\/span>\n<\/p>\n

\nPike said, Good.<\/span>\n<\/p>\n

\nSaid somethin’ weird, though. Said he’d wake up sometimes, scared God was going to realize he made a mistake, say, a_~Hey, that’s not your life, Frank, you belong back in the shit,’ and take everything away. He was joking when he said it, but still.<\/span>\n<\/p>\n

\nPike didn’t respond, thinking that sounded like something Frank would say.<\/span>\n<\/p>\n

\nYou think that’s what happened? God realized he made a mistake?<\/span>\n<\/p>\n

\nSomeone down here made the mistake, Lonny.<\/span>\n<\/p>\n

\nI hear you. Joe? Thanks for calling about Frankie. I don’t get many calls.<\/span>\n<\/p>\n

\nI have to go.<\/span>\n<\/p>\n

\nJoe?<\/span>\n<\/p>\n

\nI gotta get going.<\/span>\n<\/p>\n

\nYou were a good leader. You really took care of us, man. I’m sorry I let you down.<\/span>\n<\/p>\n

\nPike closed his phone.<\/span>\n<\/p>\n

\nTHE EARLY-EVENING SKY PURPLED as Pike turned toward Frank Meyer’s house for the second time that day. He drove slowly, buying time for the twilight sky to darken. Pike loved the night. Had since he was a boy, hiding in the woods from his raging father; loved it all the more as a young combat Marine on long-range patrols, then again when he was a police officer. Pike felt safe in the darkness. Hidden, and free.<\/span>\n<\/p>\n

\nFrank’s house was dark when Pike drove past. The bright yellow tape across the door was now ochre in the gloomy light, and the SID wagons and criminalists were gone. A radio car remained out front, but Pike noted the windows were up and the glass was smoked. Pike recognized the car as a scarecrow vehicle, left to discourage intruders, but posted without a crew. This made Pike’s task easier.<\/span>\n<\/p>\n

\nPike circled the block, then parked in the deep shadow of a maple tree two houses away. He moved quickly and without hesitation, sliding out of his Jeep and into a row of hedges. He crossed the neighbor’s yard, then hoisted himself over a wall. He followed the side of Frank’s garage into the backyard, then stood for a moment, listening. The neighborhood was alive with normal sounds, cars shortcutting to Beverly Glen on their way home to the Valley, a watchful owl in the maple tree over Frank’s pool, a faraway siren.<\/span>\n<\/p>\n

\nPike went to the edge of the pool, smelling the chlorine, then touched the water. Cold. He went to the French doors, popped a pane near the handle, and stepped into the deeper black of the family room. Pike listened again, then turned on a small flashlight that produced a dim red light. He covered the lens with his fingers, letting out only enough light to reveal the room. His hand glowed as if filled with fire.<\/span>\n<\/p>\n

\nThe heart-shaped stain where Cindy Meyer and her younger son died was a darker smudge on the dark floor, one murky red over another. Pike studied it for a moment, but Pike wasn’t looking for clues. He was looking for Frank.<\/span>\n<\/p>\n

\nPike circled the family room, the dining room, and the kitchen, moving as silent as smoke. He noted the furniture, toys, and magazines as if each was a page in the book of the family’s life, helping to build their story.<\/span>\n<\/p>\n

\nA hall led to the master bedroom, which was large and spacious. Photographs of the kids and Frank and Cindy dotted the walls like memories captured in time. An antique desk sat opposite a king-sized bed with a padded headboard, a plaque on the desk reading: Empress of the World. Cindy’s desk, where she had paid bills or helped with the business.<\/span>\n<\/p>\n

\nSomething about the bed bothered Pike, and then he realized the bed was made. The family room and Frank’s office had been upended, but the bed here in the master was undisturbed. It had likely been made that morning, and was still waiting for a bedtime that would never come. This suggested the home invaders had either been frightened away before searching the master, or had found what they wanted. Pike concluded there was no way to know, and that John Chen might be right. The invaders could have realized they hit the wrong house, but by then they had killed Frank, so they killed everyone else to get rid of the witnesses.<\/span>\n<\/p>\n

\nPike played the red light over Cindy’s desk, and saw more snapshots. Frank and the kids. An older couple who might have been Cindy’s parents. And then Pike found the picture he was looking for. He had not known he was searching for it, but felt a sense of completion when he saw it. The snapshot showed Frank in a swimming pool with one of the boys. Frank had heaved his son into the air amid a geyser of water, both of them laughing, Frank’s arms extended. This picture was the only photograph of all the photos that showed the blocky red arrows inked onto his del toids. Pointing forward, just as the arrows on Pike’s delts pointed forward. Identical.<\/span>\n<\/p>\n

\nPike studied the picture for a long while before he returned it to the desk and left the bedroom. He moved back along the hall, thinking how different his own home was from the home that Frank Meyer built. Pike’s furnishings were minimal, and the walls were bare. Pike did not have a family, so he had no pictures of family on the walls, and he did not keep pictures of his friends. Pike’s life had led to blank walls, and now he wondered if his walls would ever be filled.<\/span>\n<\/p>\n

\nWhen Pike reached the entry, the outside of the house lit up like a blinding sun. Vengeful bright light poured around curtains and shades, ignited the cracks in the broken door, and streaked through the windows. Pike closed his hand over the tiny red light, and waited.<\/span>\n<\/p>\n

\nA patrol car was spotlighting the house. They had probably been instructed to cruise by every half hour or so. Pike was calm. Neither his breathing nor his heart rate increased. The light worked over the house, probing the hedges and side gates for three or four minutes. Then the light died as abruptly as it appeared.<\/span>\n<\/p>\n

\nPike followed his crimson light upstairs.<\/span>\n<\/p>\n

\nThe house seemed even more quiet on the second floor, where a stain on the carpet marked the older son’s murder. Little Frank. Pike counted the years back to a deadly night on the far side of the world when Frank told Pike that Cindy was pregnant.<\/span>\n<\/p>\n

\nThat time, they were protecting a collective of villages in Central Africa. A group called the Lord’s Resistance Army had been kidnapping teenage girls they raped and sold as slaves. Pike brought over Frank, Jon Stone, a Brit named Colin Chandler, Lonny Tang, and an ex-Special Forces soldier from Alabama named Jameson Wallace. They were tracking the LRA to recover sixteen kidnapped girls when Frank told him that his girlfriend, Cindy, was pregnant. Frank wanted to marry her, but Cindy had stunned him with an ultimatum, she wanted no part of his dangerous life or the dangerous people with whom he worked, so either Frank would leave his current life and friends behind, or Cindy would never see him again. Frank had been shattered, torn between his love for Cindy and his loyalty to his friends. He had talked to Pike almost three hours that night, then the next, and the next.<\/span>\n<\/p>\n

\nPike closed his eyes, and felt the carpet beneath his feet, the chill air, the empty silence. He opened his eyes, and stared at the terrible stain. Even in the bad light, he could see where fibers had been clipped by the criminalists.<\/span>\n<\/p>\n

\nThose African nights led through the intervening years like a twisting tunnel through time to this spot on the floor. Pike covered the red light, turning the world black.<\/span>\n<\/p>\n

\nHe went downstairs to Frank’s office.<\/span>\n<\/p>\n

\nThe drapes had been left open by the SID crews, so the office was bright with outside light. Pike turned off his red flash. He sat at Frank’s desk with his back to the window. Frank the Tank’s desk. A long way from Africa.<\/span>\n<\/p>\n

\nTHE NIGHT IN AFRICA when Frank decided to change his life, he had thirty-one days remaining on his contract, but was still thirteen days from earning his nickname. Two days after Africa, Joe, Frank, and Lonny Tang flew to El Salvador. Frank had not been able to reach Cindy until they landed in Central America, but that’s when he told her. She wanted him to fly home immediately, but Frank explained he had made a commitment for the duration of his contract, and would honor that commitment. Cindy didn’t like it, but agreed. Joe and his guys spent five days in El Salvador, then flew to Kuwait.<\/span>\n<\/p>\n

\nIt was a British contract, providing security for French, Italian, and British journalists. That particular job was to transport two BBC journalists and a two-person camera crew inland to a small village over the mountains called Jublaban, untouched and well away from hostile forces.<\/span>\n<\/p>\n

\nPike was responsible for three different groups of journalists that day, so he split his crew, giving the Jublaban run to Lonny, Frank, Colin Chandler, and an ex-French Foreign Legion trooper named Durand Galatoise. Two Land Rovers, two operators per Rover, the journalists divided between them. A fast thirty-two miles over the mountains, leave in the morning, back after lunch. Durand Galatoise packed two bottles of Chablis because one of the journalists had a nasty smile.<\/span>\n<\/p>\n

\nThey left at eight that morning, Lonny and Frank in the lead truck, Chandler and Galatoise in trail, and reached Jublaban without incident. There to do a story on rural medical care, the journalists were interviewing Jublaban’s only physician when an incoming RPG hit the second Rover, flipping it onto its side. The operators and journalists immediately came under small-arms fire.<\/span>\n<\/p>\n

\nGalatoise was killed within the first sixty seconds, the remaining Rover was hit, then Lonny Tang caught the piece of shrapnel that tore him inside out. Frank and Chandler realized they were facing eight or ten men, then noticed an approaching nightmare: Four armored vehicles and two full-sized battle tanks were rumbling toward them across the desert. With both Rovers disabled, the operators and their journalists were trapped.<\/span>\n<\/p>\n

\nFrank pushed Lonny Tang’s intestines back into his body, then wrapped him with pressure bandages and belts to keep him together. While Chandler laid down cover fire, Frank ran to his burning Rover for radios, more ammunition, and a .50-caliber Barrett rifle they used for sniper suppression. The Barrett, a beast of a rifle that weighed over thirty pounds, could punch through engine blocks at more than a mile.<\/span>\n<\/p>\n

\nChandler herded the journalists to a more defensible location, but Lonny Tang could not be moved. Frank stashed him in a stone hut, then moved forward with the Barrett gun. Frank later said he was crying during the entire firefight; blubbering like a baby, he would say, running, then firing, then running again.<\/span>\n<\/p>\n

\nPike heard much of it through his radio, with Chandler broadcasting a play-by-play as Pike coordinated a rescue mission with a British air controller.<\/span>\n<\/p>\n

\nFrank Meyer fought on like that for almost thirty minutes, running and gunning with the Barrett even when the tanks and armored vehicles crunched into the village, Frank banging away like a lunatic to draw them from Lonny Tang.<\/span>\n<\/p>\n

\nEveryone later assumed the big boomers turned back into the desert after they picked up their troops, but Colin Chandler and the BBC journalists reported that a young American named Frank Meyer had shot it out toe-to-toe with four armored vehicles and two heavy tanks, and driven the bastards away.<\/span>\n<\/p>\n

\nFrank’s contract expired five days later. He wept when he shook Pike’s hand for the last time, boarded an airplane, and that had been that, changing one life for another.<\/span>\n<\/p>\n

\nPike officially retired from contract work sixty-two days later, and maybe Frank’s decision had something to do with Pike’s decision, though Pike never thought so. Pike had told Frank to do it. Build the family he wanted. Leave the past. Always move forward.<\/span>\n<\/p>\n

\nPIKE WAS STILL AT Frank’s desk when his cell vibrated, there in the cool blue light.<\/span>\n<\/p>\n

\nStone said, All right, listen. They’re watching a guy named Rahmi Johnson. Been on him for almost a month. I’ve got an address here for you.<\/span>\n<\/p>\n

\nIf they’re on him, he didn’t murder Frank.<\/span>\n<\/p>\n

\nRahmi isn’t the suspect. Cops think his cousin might be involved, a dude named Jamal Johnson.<\/span>\n<\/p>\n

\nMight be, or is?<\/span>\n<\/p>\n

\nGotta have proof for it, but he looks pretty good. Check it out. Jamal was released from Soledad two weeks before the first score. He crashed with Rahmi when he got out, but moved out three days after the score. Four days after the second score, Jamal dropped by with a sixty-inch plasma to thank Rahmi for putting him up. A week after the third score, Jamal tools up in a brand-new black-on-black Malibu with custom rims. He gives the car to Rahmi, too. Can you imagine? My guy’s telling me this, I’m thinking, shit, I wish this asshole was my cousin, too.<\/span>\n<\/p>\n

\nStone broke out laughing, but the laughter was too loud and too long. Stone had been drinking.<\/span>\n<\/p>\n

\nPike said, Where’s Jamal?<\/span>\n<\/p>\n

\nNobody knows, bro. That’s why they’re sitting on Rahmi.<\/span>\n<\/p>\n

\nMaybe Rahmi knows. Have they asked him?<\/span>\n<\/p>\n

\nThey did, and that’s where they fucked up. Rolled by something like two months ago, when Jamal was first identified as a person of interest. Heard he was crashing with Rahmi, so they went by. Rahmi played stupid, but you know he warned Jamal the second those cops were out the door. That’s when Jamal dropped off the map.<\/span>\n<\/p>\n

\nPike thought about it. Thought how he would play it.<\/span>\n<\/p>\n

\nThey should ask him again.<\/span>\n<\/p>\n

\nStone laughed.<\/span>\n<\/p>\n

\nWell, they’re cops, not you. That timeline business, that’s not proof, but it’s convincing. They don’t want to arrest the guy, they want to follow him. They want to catch him in the act or clear him, one way or the other.<\/span>\n<\/p>\n

\nSo SIS is covering Rahmi, hoping Jamal will come around again.<\/span>\n<\/p>\n

\nThey got nothing else, man. Jamal’s their only good suspect.<\/span>\n<\/p>\n

\nPike grunted. SIS was good. They were patient hunters. They would shadow their target for weeks like invisible men, but Pike didn’t want to wait that long. Stone was right. The police were trying to build a case, but Pike didn’t care about a case. His needs were simpler.<\/span>\n<\/p>\n

\nWhat’s that address?<\/span>\n<\/p>\n

\nStone cleared his throat, suddenly uncomfortable.<\/span>\n<\/p>\n

\nOkay, now listen, we can’t have any blowback here. You go barging in and it comes back to me, the SIS guys will know who gave them up. You ruin their play, my guy is fucked.<\/span>\n<\/p>\n

\nNo blowback. They’ll never see me.<\/span>\n<\/p>\n

\nStone laughed again, still too loud and too long, and now more than a little nervous.<\/span>\n<\/p>\n

\nOnly you could say that, Pike, talking about SIS. Jesus Christ, bro, only you.<\/span>\n<\/p>\n

\nStone was giving Pike the address when light exploded into the office, so bright the walls and furniture were white with glare. Pike, still in the chair with his back to the window, did not move. The patrol car had returned.<\/span>\n<\/p>\n

\nPike said, Sh.<\/span>\n<\/p>\n

\nWhat’s wrong?<\/span>\n<\/p>\n

\nAn enormous blue shadow crossed the office wall as if someone had moved in front of the light. Pike heard faint radio calls, and listened for approaching footsteps.<\/span>\n<\/p>\n

\nStone’s tiny voice came from the phone.<\/span>\n<\/p>\n

\nYou sound weird, man. Where are you?<\/span>\n<\/p>\n

\nPike whispered, as still as a fish at the bottom of a pond.<\/span>\n<\/p>\n

\nFrank’s. The police are outside.<\/span>\n<\/p>\n

\nYou break in?<\/span>\n<\/p>\n

\nSh.<\/span>\n<\/p>\n

\nThe light swung away, moving to another part of the house like an animal tracking a scent.<\/span>\n<\/p>\n

\nWhat the fuck are you doing at Frank’s?<\/span>\n<\/p>\n

\nI wanted to see what his life was like.<\/span>\n<\/p>\n

\nYou’re a strange cat. I mean, really.<\/span>\n<\/p>\n

\nThe light snapped off. The yard plunged into darkness. The radio chatter faded. The patrol car rolled on.<\/span>\n<\/p>\n

\nPike said, Okay.<\/span>\n<\/p>\n

\nHey, is it nice?<\/span>\n<\/p>\n

\nWhat?<\/span>\n<\/p>\n

\nFrank’s house. Does he have a nice place?<\/span>\n<\/p>\n

\nYes.<\/span>\n<\/p>\n

\nFancy?<\/span>\n<\/p>\n

\nNot like you mean. It’s a good family home.<\/span>\n<\/p>\n

\nPike heard Stone swallow. Heard the glass tink the phone.<\/span>\n<\/p>\n

\nYou think it’s true, he went bad?<\/span>\n<\/p>\n

\nChen thinks the people who did this got the wrong house.<\/span>\n<\/p>\n

\nLike, what, they got confused about which house they wanted to rob?<\/span>\n<\/p>\n

\nIt happens.<\/span>\n<\/p>\n

\nWhat do you think?<\/span>\n<\/p>\n

\nDoesn’t matter.<\/span>\n<\/p>\n

\nNo. No, it surely doesn’t.<\/span>\n<\/p>\n

\nStone made a deep sigh. Pike thought it might have been a sob, but then Stone had another sip of whatever he was sipping, and went on.<\/span>\n<\/p>\n

\nAssholes like this, they go in these houses, right house, wrong house, murder people like they were nothing, probably sleep like a baby after it’s over. How many times have they done this?<\/span>\n<\/p>\n

\nFrank was the seventh.<\/span>\n<\/p>\n

\nYou see? This is my point. Six times before, they got away clean. Murdered some poor bastard, and there have been no consequences. Hence, these people do not fear the dead. They LOVE the dead, Joe, because the dead, and I apologize if my assessment here seems harsh, but, the dead have not been effective when it comes to consequence and retribution.<\/span>\n<\/p>\n

\nWhat are you drinking?<\/span>\n<\/p>\n

\nScotch. I am drinking scotch in honor of our friend Frank. I would rather rip off a twenty-one-gun salute out in the backyard, but my neighbors prefer the drinking. Where was I?<\/span>\n<\/p>\n

\nConsequence and retribution.<\/span>\n<\/p>\n

\nRight,<\/span>\n<\/p>\n

\nJon Stone was grieving, so Pike let him continue.<\/span>\n<\/p>\n

\nBut then . . . then they hit Frank the Tank, them not knowing he was Frank the Tank, them thinking he was just another ordinary dead guy without recourse to consequence. So dig this, and this is my favorite part, those assholes are somewhere right now, shootin’ up, corn-holing each other, whatever, they are somewhere right now, and they do not know a shit storm is on the horizon, and it is coming for them.<\/span>\n<\/p>\n

\nPike said, Jon? Do you have photographs on your walls?<\/span>\n<\/p>\n

\nWhat, like naked chicks?<\/span>\n<\/p>\n

\nPictures of your family. Friends.<\/span>\n<\/p>\n

\nShit, yeah. I take pictures of everything. I got pictures of fuckin’ human heads. Why?<\/span>\n<\/p>\n

\nNo reason.<\/span>\n<\/p>\n

\nHey, man. Those fuckers. Those fucks fucked the pooch this time, didn’t they, fuckin’ with Frank?<\/span>\n<\/p>\n

\nGet some sleep.<\/span>\n<\/p>\n

\nI want in on this, bro. I mean it. Whatever.<\/span>\n<\/p>\n

\nGet some sleep.<\/span>\n<\/p>\n

\nI’ll call Colin. Colin will be on the first plane.<\/span>\n<\/p>\n

\nDon’t call Colin.<\/span>\n<\/p>\n

\nWallace would come.<\/span>\n<\/p>\n

\nDon’t.<\/span>\n<\/p>\n

\nFuck it. Hey, Joe? Joe, you there?<\/span>\n<\/p>\n

\nWhat?<\/span>\n<\/p>\n

\nStone was silent for so long Pike thought he had fallen asleep.<\/span>\n<\/p>\n

\nJon?<\/span>\n<\/p>\n

\nNone of us had families. You never married. Lonny, Colin, not them, either. Wallace got divorced. I’ve been married six fuckin’ times, man, what does that tell you? None of us had kids.<\/span>\n<\/p>\n

\nPike didn’t know what to say, but maybe Stone voiced it for him, soft, and hoarse from the booze.<\/span>\n<\/p>\n

\nI really wanted Frank to make it. Not just for him.<\/span>\n<\/p>\n

\nPike closed his phone.<\/span>\n<\/p>\n

\nHe sat in Frank’s office for almost an hour, alone with himself and the silence, then walked back along the hall to Cindy’s desk. He took the framed picture of Frank in the pool, tucked it into his pocket, then let himself out the way he had entered, and drove home for the night.<\/span>\n<\/p>\n

\nThey call this the city The city of angels All I see is death-dealin’ dangers.<\/span>\n<\/p>\n

\n, TATTOOED BEACH SLUTS<\/span>\n<\/p>\n

\nPart Two The First Rule 8<\/span>\n<\/p>\n

\nPIKE RETURNED HOME AFTER leaving Frank’s house and found a message waiting from Elvis Cole, who was Pike’s friend and partner in a detective agency. Pike listened while he drank a bottle of water.<\/span>\n<\/p>\n

\nCole said, Hey. A cop named Terrio came by the office today, asking about you and someone named Frank Meyer. Felt like he was fishing, but he also said this guy Meyer was murdered. Call me.<\/span>\n<\/p>\n

\nPike deleted the message, then looked up Rahmi’s address on his computer. He was hungry, he wanted to exercise and return Cole’s call, but he needed to keep moving. Movement meant progress, and progress meant finding the men who killed Frank.<\/span>\n<\/p>\n

\nThe Google Maps feature was like having a spy satellite. Pike typed in Rahmi’s address, and there it was, all of Compton spread out thousands of feet below. Pike zoomed in for a closer look, then went to the street view, which allowed him to see Rahmi’s building as if he were standing in the street. Faded paint. Dying grass. Big Wheel on its side. The Google pictures had been taken on a bright, sunny day, and might have been taken months ago, but they were a good place to start.<\/span>\n<\/p>\n

\nRahmi Johnson lived in a green two-story apartment building 1.67 miles north of the Artesia Freeway in Compton. His building was shaped like a shoe box, with three units on bottom, three on top, and a flat, featureless roof. Rahmi had the center ground-floor apartment. Single-family homes and similar buildings lined Rahmi’s side of the street, set on lots so narrow that some of the homes were turned sideways. Rahmi’s building was sideways. Almost every yard was protected by short chain-link fences, and almost every house had security bars on its windows. The opposite side of the street was lined by single-story commercial buildings.<\/span>\n<\/p>\n

\nBecause of the sideways orientation, the side of Rahmi’s building faced the street and the front of the building faced the next-door neighbor’s property. Residents entered through a chain-link gate, passed the Big Wheel, then went along the length of their building to reach their apartments. This sideways orientation made it difficult for Pike to see Rahmi’s door from the street. He considered this, and knew the police would have the same problem.<\/span>\n<\/p>\n

\nPike was studying the buildings surrounding Rahmi’s apartment house when his cell phone rang. He saw it was John Chen, and took the call.<\/span>\n<\/p>\n

\nYes.<\/span>\n<\/p>\n

\nWe confirmed a fourth gun to go with the fourth set of shoe prints. Three of the four guns were used in the earlier murders, but the fourth gun was not. That fourth gun showed casings in the nanny’s room and the family room.<\/span>\n<\/p>\n

\nHow many?<\/span>\n<\/p>\n

\nThree. The fourth gunman shot Frank Meyer once, and put both bullets in the girl, Ana Markovic. We’re still matching the other bullets and casings, but that’s the prelim. I thought you’d want to know.<\/span>\n<\/p>\n

\nThanks.<\/span>\n<\/p>\n

\nPike put down the phone, and thought about the fourth shooter. The new guy. Someone who had not taken part in the earlier invasions, but had gone to Frank’s house. Pike wondered why a fourth man had joined the crew. Had the original three members known about Frank’s background, and expected more resistance?<\/span>\n<\/p>\n

\nPike finally put it out of his head, and returned to his computer. He studied Rahmi’s building, then the surrounding structures and the commercial properties across the street. He noticed that both sides of the street were lined with parked cars, then went back to the overhead view and realized why. Neither Rahmi’s building nor the other small apartment buildings had driveways or spaces for off-street parking; residents parked on the street. This meant Rahmi’s new Malibu would probably be parked in front of his building.<\/span>\n<\/p>\n

\nNo building in the area was more than two stories, and most were only a single story. With no overlooking vantage point, the spotter would have to be close. The high density of residents, the on-street parking, and the long-term nature of the surveillance meant the spotter was housed in a nearby building. You couldn’t park a Crown Vic out front for three weeks and expect the neighbors not to notice. Ditto repair vans, delivery trucks, and phony cable trucks. After forty-five minutes of studying the area, Pike believed the surveillance options for SIS were limited. He had a pretty good idea where they would place their spotters, and also how he could reach Rahmi without being seen. He would have to see the area at night and during the day to be sure, but he knew what he had to do.<\/span>\n<\/p>\n

\nPike changed into his workout gear, stretched to warm himself, then eased into the meditative state he always found through yoga. He moved slowly, and with great regard, working deeply through asanas from hatha yoga. He breathed, and felt himself settle. His heart rate slowed. Forty-two beats per minute. His blood pressure, one hundred over sixty. Peace came with certainty, and Pike was certain.<\/span>\n<\/p>\n

\nWhen Pike finished, he eased awake like a bubble rising to the surface of a great flat pond. Dinner was rice and red beans mixed with grilled corn and eggplant; the rice and beans he had made, the corn and eggplant were from a restaurant. After dinner, he showered, cleaned himself, then dressed in briefs and a T-shirt. He returned Cole’s call, but Cole didn’t pick up, so he left a message.<\/span>\n<\/p>\n

\nPike poured a finger of scotch in a short glass, then shut the lights. He sat on his couch, alone in the dark, listening to water burble in the black granite meditation fountain. Listening to the water, it was easy to imagine he was in a natural world where wild things lived. He sipped the scotch, and listened.<\/span>\n<\/p>\n

\nAfter a while, Pike went upstairs to bed. The mattress was hard, but he liked it that way. He was asleep almost at once. Pike fell asleep easily. Staying asleep was difficult.<\/span>\n<\/p>\n

\nHis eyes opened two hours later, and Joe Pike was awake. He blinked at the darkness, and knew sleep was done. He remembered no dreams, but his T-shirt was damp with sweat.<\/span>\n<\/p>\n

\nPike rolled out of bed, dressed, got together his things, then drove south to Compton across a landscape brilliant with unwavering lights.<\/span>\n<\/p>\n

\nPIKE KNEW RAHMI was home the first and only time he drove past in his Jeep because the shiny black Malibu was wedged to the curb. Three in the morning on a weeknight, traffic was nonexistent and the streets were dead. Pike pulled his jacket collar high, his cap low, and slumped behind the wheel. Everyone else in the world might be sleeping, but SIS would be watching. One pass, they would ignore him. Two passes, they would wonder. A third pass, they would likely call in a radio car to see what was going on.<\/span>\n<\/p>\n

\nPike drove to a well-lit, twenty-four-hour Mobil station by the freeway, parked, then called a cab service. While he waited for the cab, he went inside. The attendant was a middle-aged Latin guy with a weak chin who looked scared even though he was behind an inch and a half of bulletproof glass. As soon as Pike walked in, the attendant’s right hand went under the counter.<\/span>\n<\/p>\n

\nEngine trouble. I’m going to leave my Jeep here for a while. Okay?<\/span>\n<\/p>\n

\nPike held up a twenty-dollar bill, then slipped it under the glass. The attendant didn’t touch it.<\/span>\n<\/p>\n

\nAin’t nothin’ bad in there, is it?<\/span>\n<\/p>\n

\nBad?<\/span>\n<\/p>\n

\nLike . . . bad?<\/span>\n<\/p>\n

\nDope or a body.<\/span>\n<\/p>\n

\nPike said, Engine trouble. I’ll be back.<\/span>\n<\/p>\n

\nThe attendant took the twenty with his left hand. He never revealed his right. Pike wondered how many times he had been held up.<\/span>\n<\/p>\n

\nPike went outside and stood in the vapor light breathing cold mist until a lime green cab showed up. It appeared lavender in the silky light.<\/span>\n<\/p>\n

\nThe cab driver was a young African-American with suspicious eyes, who did a double take when he saw his fare was a white man.<\/span>\n<\/p>\n

\nHe said, Car trouble?<\/span>\n<\/p>\n

\nI have a friend nearby. You can take me to her place.<\/span>\n<\/p>\n

\nAh.<\/span>\n<\/p>\n

\nHer. A woman made everything better.<\/span>\n<\/p>\n

\nPike gave the nearest major intersection, but not Rahmi’s address. Pike didn’t want the cabbie to know it if he was later questioned. When they reached Rahmi’s street, Pike told him to cruise the block.<\/span>\n<\/p>\n

\nPike said, Go slow. I’ll know it when I see it.<\/span>\n<\/p>\n

\nI thought you knew this girl.<\/span>\n<\/p>\n

\nIt’s been a while.<\/span>\n<\/p>\n

\nThe SIS spotters would be watching the cab. This time of morning, they didn’t have anything else to watch. Pike slumped in the shadows of the backseat as they passed Rahmi’s building. The SIS spotters would be on alert now, but Pike wanted to see how Rahmi’s apartment was lit. The lighting was crucial in helping Pike determine where the spotters were hiding, and in planning how to defeat them.<\/span>\n<\/p>\n

\nPike said, Slower.<\/span>\n<\/p>\n

\nThe cab slowed even more. The watch officer was likely keying his radio or kicking his partner, saying they might have something here.<\/span>\n<\/p>\n

\nThe entry side of Rahmi’s building was lit by six yellow bulbs, one outside each of the three doors on the ground level, but only one outside a door on the second floor. The others appeared to be out. Pike was more interested in the back of the building than the front. The Google images showed the back of Rahmi’s building was very close to the neighboring home, and now Pike saw the area caught only a small amount of reflected glow from the neighbor’s porch. This was good for Pike. The heavy shadows, along with the distance from the street and the narrow separation between the two buildings, meant the area behind Rahmi’s apartment was a tunnel of darkness. Pike would be able to disappear into the tunnel.<\/span>\n<\/p>\n

\nThe cabbie said, Which one?<\/span>\n<\/p>\n

\nDon’t see it. Let’s try the next block.<\/span>\n<\/p>\n

\nPike had the cabbie slow in front of two more buildings to throw off the spotters, then headed back to his Jeep. During his days as a combat Marine, the helicopter pilots used the same technique when inserting troops into enemy territory. They didn’t just fly in, drop off Marines, and leave. Instead, the pilots made three or four false inserts along with the real drop to mask the true drop point. If it worked in hostile jungles, it would work in South Central Los Angeles.<\/span>\n<\/p>\n

\nPike took another cab past the apartment just before dawn to check the lighting again from the opposite direction, and made six more cab rides before noon, different cabs each time, twice having the cabs stop nearby so he could study the street. One of the cabbies asked if he was looking for a woman, another stared at him in the rearview with marble eyes, finally saying, You down here to kill a man?<\/span>\n<\/p>\n

\nThey were parked outside a different apartment house on the next block. Pike now believed the primary SIS spotter was located in one of two commercial buildings directly across from Rahmi’s building. The only other building with a view of Rahmi’s door was the house it faced, but Pike had seen a tall, thin woman herd three children out of the house for school. The two commercial buildings were the only remaining possibilities. SIS wanted to see Rahmi’s door. They would want to see who entered, and who left, and with the bad angles this meant they had to be directly across the street in one of two places. Pike hadn’t found their exact location, but he now believed it wasn’t necessary.<\/span>\n<\/p>\n

\nThe cabbie said, I don’t want no shootin’ in this cab. Don’t you be gettin’ me involved in some crime.<\/span>\n<\/p>\n

\nI’m cool.<\/span>\n<\/p>\n

\nYou don’t look cool. You look so hot a man could fry just bein’ next to you.<\/span>\n<\/p>\n

\nPike said, Sh.<\/span>\n<\/p>\n

\nJust sayin’, is all.<\/span>\n<\/p>\n

\nPike pushed a twenty-dollar bill onto the man’s shoulder. The cabbie grunted like he was the world’s biggest fool, but the bill disappeared.<\/span>\n<\/p>\n

\nRahmi’s Malibu was parked outside his building almost directly in front of the chain-link gate. Tuxedo black with double-chrome dubs covering the wheels that probably retailed at two thousand dollars each. Every time Rahmi drove away, SIS would follow. They would have placed a GPS locator on the car, and they would use at least three vehicles to maintain contact. Their cars would be nearby and ready to roll.<\/span>\n<\/p>\n

\nThe Malibu was Pike’s key. SIS had to watch Rahmi’s apartment, but Pike only needed to watch the Malibu, and a place to hide without being seen.<\/span>\n<\/p>\n

\nThe driver made a loud sigh.<\/span>\n<\/p>\n

\nAin’t you seen enough?<\/span>\n<\/p>\n

\nPike said, Let’s go.<\/span>\n<\/p>\n

\nPike picked up his Jeep, then drove north into East L. A. A friend of his had a parking lot there, where he kept vehicles he rented to film companies. Vintage cars, mostly, but also specialty vehicles like dune buggies, decommissioned police cruisers, and customized hot rods. Pike rented a taco truck with faded paint, a heavy skin of dust, and a cracked window. A flowing blue legend was emblazoned along the side: ANTONIO’S MOTORIZED RESTAURANT, HOME OF THE BBQ TACO! The legend was faded, too.<\/span>\n<\/p>\n

\nPike put it on his credit card, left his Jeep, then drove the taco truck back to Compton. He parked three blocks from Rahmi’s on the opposite side of the street in front of what appeared to be a tow yard and a row of abandoned storefronts.<\/span>\n<\/p>\n

\nPike shut the engine, cracked open the windows for air, then moved back into the kitchen bay where he would be hidden from people on the street. Three blocks away, the SIS spotters would ignore him. They were too busy watching Rahmi’s apartment.<\/span>\n<\/p>\n

\nPike couldn’t see the apartment, but he had a good view of the Malibu, and the Malibu was all he needed.<\/span>\n<\/p>\n

\nPike settled in. He breathed. He waited for something to happen.<\/span>\n<\/p>\n

<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n

Read the full book by downloading it below.<\/p>\n

DOWNLOAD EPUB<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Book Preview The First Rule Joe Pike 02 Robert Crais The organized criminal gangs from the fifteen republics of the former Soviet Union are governed by what they call the Vorovskoy Zakon, the thieves’ code, which is comprised of eighteen written rules. The first rule is this: A thief must forsake his mother, father, brothers, … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":3275,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[177],"class_list":["post-3276","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-robert-crais"],"_links":{"self":[{"href":"https:\/\/epub-book.com\/download\/wp-json\/wp\/v2\/posts\/3276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/epub-book.com\/download\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/epub-book.com\/download\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/epub-book.com\/download\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/epub-book.com\/download\/wp-json\/wp\/v2\/comments?post=3276"}],"version-history":[{"count":0,"href":"https:\/\/epub-book.com\/download\/wp-json\/wp\/v2\/posts\/3276\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/epub-book.com\/download\/wp-json\/wp\/v2\/media\/3275"}],"wp:attachment":[{"href":"https:\/\/epub-book.com\/download\/wp-json\/wp\/v2\/media?parent=3276"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/epub-book.com\/download\/wp-json\/wp\/v2\/categories?post=3276"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/epub-book.com\/download\/wp-json\/wp\/v2\/tags?post=3276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}